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Little Barrie and Malcolm Catto: Electric War
New album: Sharp, stylish, bluesy, 60s garage rock and psychedelia by the British power trio, of Barrie Cadogan and Lewis Wharton, best known for the theme from Better Call Saul, teaming up with acclaimed producer and drummer of The Heliocentrics
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Alison Krauss and Union Station: Arcadia
New album: Classy, seasoned, crisply performed country, folk and bluegrass by the acclaimed Champaign, Illinois singer-songwriter and fiddle player, joined again by her perennial band, their first together since 2011’s Paper Airplane, and her first since the 2021’s album Raise The Roof with Robert Plant
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The Waterboys: Life, Death And Dennis Hopper
New album: A sprawling, lengthy, pseudo-beatnik rock-country release by the British band fronted by Mike Scott, here celebrating the life of the charismatic, often misunderstand hell-raising Hollywood icon, spanning multiple genres, particularly Americana, with a spread of guests including Bruce Springsteen, Steve Earle and Fiona Apple
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Echolalia
New album: A Nashville ‘supergroup’ in the most free-flowing, relaxed form imaginable, Spencer Cullum, Andrew Combs, Jordan Lehning, Dominic Billett and others combine in a beautiful intertwining of pastoral folk, country, and dream-like, psychedelic Americana
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Bonnie "Prince" Billy: The Purple Bird
New album: A mischievously droll, but also tender, gently moving new release by Kentucky’s seasoned singer-songwriter Will Oldham, this time very much in Nashville-flavoured country mode, with numbers about community, relationships and the state of the nation, joined by producer and old friend David “ Ferg” Ferguson
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Cameron Winter: Heavy Metal
New album: Released last month, the Geese frontman’s solo LP is nothing like its title in genre, but a brilliantly eccentric, eclectic, inventive, surreal mosaic of dream-like DIY oddness – blues, folk, pop and psych rolled up in droll humour, existential dread and creative patchwork streams of the sub-conscious and non-sequitur
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This year’s selections include some returning veterans at the top of their game as well as some fabulous newcomers
Favourite albums of 2024: Welcome to The Song Bar’s favourite albums of 2024 Part 1. There’s no such thing as ‘best of’ and everything is subjective, but rich seams of originality and quality are certainly here to be enjoyed. Peruse away …
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Native Harrow: Divided Kind
Album review: Released in September, classy, meticulously crafted, intelligent, warm Americana mix of folk, rock, pop and country by the Philadelphia duo of vocalist Devin Tuel and multi-instrumentalist Stephen Harms in this sixth LP
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The Hard Quartet's debut LP
New album: This seasoned pro supergroup of Stephen Malkmus (Pavement and Jicks), Matt Sweeney (Chavez), Emmett Kelly and Jim White create a marvellously muscular debut collection of indie, rock, blues punk, but also beautiful Byrds-like numbers
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Gillian Welch and David Rawlings: Woodland
New album: Exquisite, folk and country about turbulence and resilience by the singer-songwriter couple, with an album named after their Nashville studio wrecked by a tornado in March 2020, and their first release together for 13 years
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King Gizzard’s latest to take off is Flight b741
New album: We’re already into August, but surprisingly it’s only the first LP of the year, (after at least 26th in 12) by the prolific Australian band this time explore a 70s bluesy-country rock and glam style with a inexhaustible live-feel
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Liam Bailey: Zero Grace
New albums: A two-for-one by the talented Nottingham singer-songwriter and guitarist with releases in February and and also this month, the former a fabulous zamrock-influenced psychedelic-reggae fusion LP, the latter with Parisian dub musician Blundetto aka Max Guiget
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Hermanos Gutiérrez: Sonido Cósmico
New album: Stylish, studied twang and beautiful textures of electric guitar instrumentals marks this excellent sixth studio LP by the Ecuadorian-Swiss brothers Alejandro and Estevan Gutiérrez transcends eras like a classic soundtrack to a western
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Richard Thompson: Ship To Shore
New album: With strong narratives, melodies and fabulous fret work, the veteran singer-songwriter’s 18th solo album is up there with his best– traversing eras, styles and themes from his folk-rock 60s roots, to jazz, blues and country and flavours from Ireland, Scotland and beyond
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Richard Hawley: In This City They Call You Love
New album: The veteran Sheffield singer-songwriter returns his ninth solo LP, a touching, gentle love letter to his home city, referencing that South Yorkshire universal term of address, local characters and perspectives, with a set of heartwarming, heartfelt indie, blues, and Americana-style numbers
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Barry Adamson: Cut To Black
New album: The Manchester legendary singer and composer, bass player of Magazine, The Bad Seeds and other bands, returns with a stylish, swaggering, 60s-influenced 10th studio solo LP, including timeless Motown, seductive blues, and vividly noir cinematic hues
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Cindy Lee: Diamond Jubilee
New album: One of the most unusual releases of the year – 32 tracks, more than 2 hours, with the style from an indeterminate era, perhaps ghostly love song echoes of 60s girl groups – come delicate and crash-bang electric guitar, percussion and vocals from the glammed-up alter ego of Canadian songwriter, guitarist, and drag performer Patrick Flegel
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The Black Keys: Ohio Players
New album: With a 12th LP, the title and artwork inspired by the legendary funk band from their home state, the duo of singer/guitarist Dan Auerbach and drummer Patrick Carney return with a collaborative spring in their step, their bluesy rock stimulated by co-writers Beck, Noel Gallagher and other guests
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The Black Crowes: Happiness Bastards
New album: A first album for 15 years by the Atlanta rock band fronted by the charismatic Chris Robinson with guitarist brother Rich, with feisty, pacey, blues-rock return packed with banging new tunes reminiscent of the Stones to AC/DC to ZZ Top
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Africatown, AL: Ancestor Sounds
New album: A beautifully evocative, documentary compilation of anonymous spontaneous performances and field recordings from descendants of slaves in a northern section of the city of Mobile, Alabama, one of the last places in the US to receive slave ships
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