It’s a creative, freeflowing form that may well be as much crafted as straight from the imagination, but also one that distorts narrative and logic. Inspired by last week’s nominations, guest ajostu presents an associative, brainstorming set of lists with a real ‘vibe’

It’s a literary narrative technique capturing our chaotic minds and random flow of thought processes, often with non-linear sense of time, free association, saturated with sensory experiences with strange rhythms, but how is it used in song?

From earliest Iranian recordings, traditional and classical to defiant and political, 1970s pop and rock to more recent hip-hop, guest Severin charts a fabulous range of Persian sounds, all inspired by last week’s topic

It’s a country constantly in the news, but also portrayed through a western lens. This week, it’s time to search for another Persian perspective through the prism of music and poetry for some golden discoveries …

African to bluegrass, Haitian to jazz, classics to the unexpected, this resonant instrument has a long history. Guest of the week Uncleben brings the fast and the melodious in a set of fabulous picks inspired by last week’s topic

New album: Gently profound, and full of wondrous, mesmeric, slow, delicate experimental songs, this simple title has a powerful resonance – it is the Chicago artist’s first vocal album since 2018’s There’s Always Glimmer (there have been two instrumental LPs since), having suffered and recovered from a severe vocal injury, she returns with a delicate, candid, whispery but hauntingly beautiful delivery

New album: A beautiful, delicate fifth LP from the Los Angeles singer-songwriter, friend and collaborator with Sufjan Stevens with whom he shares a stylistic resemblance, here with themes on life's fragility, second chances, and picking up the pieces after an undiagnosed illness forced him to re-learn basic abilities

New album: This lo-fi, darkly minimalist but also oddly candid fourth LP by the Australian, Castlemaine-based singer-songwriter and multi-instrumentalist centres on the conflicted, obsessive feelings about “a friendship that became emotionally charged in an unexpected way”, and “an album about closeness that arrives late and unexpectedly. About stability rubbing up against desire.”

New album: Passionate, powerful, dynamic indie rock in this sophomore LP by the Chicago-based quartet that gallops forwards with a driving momentum, some elements of early PJ Harvey and Radiohead, and is produced by John Congleton

New album: This 13th LP in two decades by the Austin, Texas rock band fronted by James Petralli has a particularly mischievous experimentalism, spreading styles far beyond breathlessly paced prog rock, with wrily humorous, surreal, personal and passionate numbers across heavy funk, dub, soul, psyche, country, dirty blues and more, joined by host of outstanding extra musicians

Song of the Day: Dark, gripping, visceral folk by the Sheffield singer-songwriter, with a striking number based on an early 19th-century German poem about the fatal story of a child pleading for food, and, following last year’s acclaimed album, Wasteland, also out on Basin Rock, it heralds his upcoming soundtrack for the Hugh Jackman film, The Death of Robin Hood.

Song of the Day: Dark, unsettling, sleazy and strange, this is arrestingly vivid new collaborative single between the clandestine London electronic collective and the downbeat, deep-voiced poetic Londoner, out on Promised Land Recordings

Song of the Day: Gentle, droll, humorously self-deprecatingly, and also delicately beautiful, this new experimental folk single by the moniker of Los Angeles singer-songwriter and multi-instrumentalist Meg Duffy addresses the love-hate relationship with making music, out on Fat Possum

Song of the Day: Catchy, sunny, upbeawt indie synth-pop with an African twist by the Margate band fronted by Falle Nioke, with flavours of William Onyeabor, Hot Chip and New York 70s disco, heralding their upcoming album OUTTANATIONAL, out on 1 May via Memphis Industries

Song of the Day: A pulsating fusion of beats, orchestral strings and the Bristol trip-hop pioneer’s distinctive, deep, croaky voice, with an emotional reference to his daughter Mina Topley-Bird (1995–2019), and heralding his first solo album for six years, Different When It’s Silent, out on 17 June via False Idols