It’s time to boldly go beyond our planet to explore songs about and inspired by other planets, stars and galaxies, real or those of science fiction, and ideally those are imagined to be, or were once inhabited

It’s a creative, freeflowing form that may well be as much crafted as straight from the imagination, but also one that distorts narrative and logic. Inspired by last week’s nominations, guest ajostu presents an associative, brainstorming set of lists with a real ‘vibe’

It’s a literary narrative technique capturing our chaotic minds and random flow of thought processes, often with non-linear sense of time, free association, saturated with sensory experiences with strange rhythms, but how is it used in song?

From earliest Iranian recordings, traditional and classical to defiant and political, 1970s pop and rock to more recent hip-hop, guest Severin charts a fabulous range of Persian sounds, all inspired by last week’s topic

It’s a country constantly in the news, but also portrayed through a western lens. This week, it’s time to search for another Persian perspective through the prism of music and poetry for some golden discoveries …

New album: Beautiful debut LP by the London-based Glaswegian fingerstyle folk guitarist and singer-songwriter, with added saxophone, double bass, flute, clairsach and clarinet in a release of mostly the traditional, covers, sung or instrumental, and supported by the Bert Jansch Foundation

New album: A strangely mesmeric, avant-garde and analogue-ambient, field recording-based experimental release by the last surviving founding member of experimental ‘krautrock’ band CAN, who, approaching the age of 89, has also written over 40 TV and film scores

New album: Gently profound, and full of wondrous, mesmeric, slow, delicate experimental songs, this simple title has a powerful resonance – it is the Chicago artist’s first vocal album since 2018’s There’s Always Glimmer (there have been two instrumental LPs since), having suffered and recovered from a severe vocal injury, she returns with a delicate, candid, whispery but hauntingly beautiful delivery

New album: A beautiful, delicate fifth LP from the Los Angeles singer-songwriter, friend and collaborator with Sufjan Stevens with whom he shares a stylistic resemblance, here with themes on life's fragility, second chances, and picking up the pieces after an undiagnosed illness forced him to re-learn basic abilities

New album: This lo-fi, darkly minimalist but also oddly candid fourth LP by the Australian, Castlemaine-based singer-songwriter and multi-instrumentalist centres on the conflicted, obsessive feelings about “a friendship that became emotionally charged in an unexpected way”, and “an album about closeness that arrives late and unexpectedly. About stability rubbing up against desire.”

Song of the Day: Striking, stylishly agile electronica and dance with a rich African and Arabian influence by the London-based British singer-songwriter, producer, multidisciplinary artist and model Alewya Demmisse, heralding her upcoming album, Zero, out on 26 June via LDN Records

Song of the Day: Uplifting, effervescent electro-disco-pop by the Toronto indie rock band, with a song vocalist/keyboardist Emily Haines describes as “my love letter to strong girls in this world”, taken from their recently released 10th album, Romanticize the Dive, out on Metric Music via Thirty Tigers

Song of the Day: Dark, gripping, visceral folk by the Sheffield singer-songwriter, with a striking number based on an early 19th-century German poem about the fatal story of a child pleading for food, and, following last year’s acclaimed album, Wasteland, also out on Basin Rock, it heralds his upcoming soundtrack for the Hugh Jackman film, The Death of Robin Hood.

Song of the Day: Dark, unsettling, sleazy and strange, this is arrestingly vivid new collaborative single between the clandestine London electronic collective and the downbeat, deep-voiced poetic Londoner, out on Promised Land Recordings

Song of the Day: Gentle, droll, humorously self-deprecatingly, and also delicately beautiful, this new experimental folk single by the moniker of Los Angeles singer-songwriter and multi-instrumentalist Meg Duffy addresses the love-hate relationship with making music, out on Fat Possum