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Index For Working Musik: Which Direction Goes The Beam
New album: Fantastically inventive, stylishly strange, experimental post-punk by the London band on this latest release, with angular guitars, thrumming guffawing brass, jittery, ghostly orchestral strings, and semi-spoken, sometimes whispered, arresting, often menacing vocals
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The Nightingales: The Awful Truth
New album: With sharp turns of phrase and pace, the legendary Birmingham post-punk band fronted by Robert Lloyd return with meatily rich riffs and rhythms, and a collection of wittily ironic songs on social injustice and current affairs like a musical news broadcast
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Bria Salmena: Big Dog
New album: A striking, stylish debut by the Toronto artist, also co-written and co-produced with Duncan Hay Jennings, the frontwoman of Canadian post-punk outfit FRIGS delivers a mix of dark, deep, smoky-voiced pop, crafted krautrock, shimmery shoegaze, and goth-electronica
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Sacred Paws: Jump Into Life
New album: Breezy, buoyant, musically breathless upbeat but also wistful indie with notes of folk, country and highlife, Bhundu Boys-esque guitars and fast-fill drumming by the Glasgow band formed by Ray Aggs and Eilidh Rodgers
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New album: The London electronica post-punk, tree-camouflage-dressed quartet return with their vigorously inventive, infectiously dance-inspiring, krautrock-ish defiant work holding up a mirror to the absurdities and injustices of modern life
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Hamilton Leithauser: This Side Of The Island
New album: Having experimented with different styles his solo albums The Walkman frontman rekindles passionate, raw intensity and pent-up energy alongside introspection in latest LP in part produced by The National’s Aaron Dessner.
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Courting: Lust For Life …
New album: A lengthy title for a short, snappy, cleverly interwoven eclectic indie-dancefloor-postpunk experimental third LP by the Liverpool band with a theme of duality, a cyclical intro and outro, and each song paired with a balanced counterpart, sharing specific sonic elements.
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Throwing Muses: Moonlight Concessions
New album: The veteran Rhode Island alternative rock and post-punk band fronted by Kristin Hersh return with an 11th studio album with a strikingly different sound - a stripped back, almost-unplugged acoustic release of restrained but haunting powe
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Youth Lagoon: Rarely Do I Dream
New album: The idiosyncratic Idaho songwriter and producer Trevor Powers’s latest LP is a vividly cinematic, darkly humorous, dream-like release inspired by a 2023 discovery of VHS home movies documenting his childhood, and lying boxed in the basement of his parents’ house
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Squid: Cowards
New album: Fabulously strange, inventive and and cleverly unsettling third album by the Brighton experimental post-punk, alt-rock quintet with a series of first-person narratives and inner monologues by fictional, disturbing characters - from cult leaders, serial killers, cannibals, sociopaths and arsonists
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Heartworms: Glutton For Punishment
New album: After a series of outstanding singles, the British artist Jojo Orme releases her debut full LP of inventive, goth-tinged post-punk, with echoes of Siouxsie Sioux and PJ Harvey, and produced the the ever inventive Dan Carey on his Speedy Wunderground label
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Lambrini Girls: Who Let The Dogs Out
New album: This feisty, humorous, angry, intelligent, kick-ass debut by the Brighton queer-punk band fronted by duo Lily Macieira and Phoebe Lunny is an explosion of artful, acerbic attitude and energy, and produced by Gilla Band’s Daniel Fox
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The second part of our favourite albums of 2024
Favourite albums of 2024: Welcome to The Song Bar’s favourite albums of 2024 Part 2. Part 1 can be found here. There’s no such thing as ‘best of’ and everything is subjective, but please dig into this rich seam of originality and quality, and even suggest more of your own
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This year’s selections include some returning veterans at the top of their game as well as some fabulous newcomers
Favourite albums of 2024: Welcome to The Song Bar’s favourite albums of 2024 Part 1. There’s no such thing as ‘best of’ and everything is subjective, but rich seams of originality and quality are certainly here to be enjoyed. Peruse away …
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The Bloodstreams: Eat Your Heart Out
New album: After last year’s excellent debut LP, How To Be A God, the south-east London quartet return with another heady swirl of stylishly swaggering, stomping, darkly visceral 60s garage rock, psychedelia and with tasty echoes of 70s Bowie, Stooges, Cramps and Birthday Party-era Nick Cave
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White Denim: 12
New album: Austin, Texas’s brilliantly inventive proggy experimentalists James Petralli and co return with an appropriately named 12th LP, one which, created in the lockdown restrictions of 2020-21, needed a different, more DIY approach, but weaves a fabulous mix of rootsy swing, jazz and influences from Scritti Politti to Lee ‘Scratch’ Perry, Nick Lowe to Jonathan Richman.
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Warmduscher - Too Cold To Hold
New album: The mischievous mayhem post-punk band of Clams Baker Jr.), Mr. Salt Fingers Lovecraft, Quicksand, The Witherer, Three Piece aka the Worm and Bleucifer return with more songs on the seedier side of life, but also one of their most musically adventurous LPs of their five, with guest vocalists including Lianne La Havas, Janet Planet and Coucou Chlo
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Friedberg: Hardcore Workout Queen
New album: A wonderful engaging, energetic third LP by Anna Wappel, aka Anna F, the Austria-born singer-songwriter and indie band, with witty, eccentric, warm, humorous, hair-in-the-wind LP with the feel of a road trip
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THUS LOVE: All Pleasure
New album: This second LP by the post-punk quartet self-style queer post-punk band from Brattleboro, Vermont, is pulsating, visceral, panache-filled, and themed about the so-called nourishing euphoria that comes from real-life experiences rather than easy-access digital dopamine hits
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Amyl and The Sniffers: Cartoon Darkness
New album: The Australian punk band fronted by the electric personality of irrepressible singer Amy Taylor return with another set of fabulous songs, with some new musical dynamic variation, plenty of humour, swearing, exposed flesh, but also self-aware, kick-ass feminism driven by great riffs and melodies
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