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Lisa O'Neill - The Wind Doesn't Blow This Far Right (EP) - out on Rough Trade
Song of the Day: This beautiful title track from the new EP by the Irish folk singer-songwriter from Cavan is a powerful original about man-made, greed-motivated unnatural disasters, joining with five other poignant numbers, including a new version of The Bleak Midwinter, out now on Rough Trade
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Jalen Ngonda
Song of the Day: After 2023’s beautiful and acclaimed Come Around And Love Me album, a new single of timeless, classic soul with the powerful, pure voice of the Liverpool-then-London based American singer whose style is often compared to Marvin Gaye. Out on Daptone Records
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Isobel Campbell’s new album, Bow To Love out on Cooking Vinyl
A rather beautiful, delicate acoustic track about life and creativity by the LA-based Scottish singer-songwriter’s brand new album, Bow To Love, out now on Cooking Vinyl
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Tabling ideas: Mike Lindsay’s forthcoming album, Supershapes Volume 1, out on Moshi Moshi
Song of the Day: With beautifully crisp bass, beats, woodwind and lyrics, and the additional voice of Anna B. Savage this gorgeous single celebrating “the miraculous in the mundane” heralds the debut solo album of the multi-talented musician and Mercury Prize-winning producer
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Becca Mancari’s latest album, Left Hand
Song of the Day: Taken from their recent album, Left Turn, a beautiful, lush, melancholy, heartbreak number of layered guitars and subtle vocals by the Nashville-based indie-folk singer-songwriter and musician from Staten Island
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Teleman’s String Theory appears on a deluxe version of their album Good Time / Hard Time
Song of the Day: Beautiful, wistful, stripped-back electro-pop with a space and time theme and a Georgio Moroder-inspired outro in this new single by the British band, heralding a deluxe version of their album Good Time/ Hard Time
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Stromae’s third album, Multitude
Song of the Day: An extraordinary song of harpsichord, chanson, and hip hop, as well as its video, from the recent third album, Multitude, by the innovative Belgian artist of Rwandan Tutsi descent, Paul Van Haver, about a fictional tribute to a sex worker and maternal heroic figure who has passed away, here playing the part of a leader delivering a speech from a podium
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The album by Amon Tobin’s new alias, Stone Giants
Song of the Day: After Emma-Jean Thackray’s Spectre yesterday, a beautiful and whisperingly dreamy, ghostly sound in this unusual acoustic number by the Brazilian musician composer and producer under the his new Stone Giants alias from the album West Coast Love Stories
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Penya’s core trio
Songs of the Day: Dance beats, brass, electronica and voices, a trio of songs displaying the wonderful melting pot diversity of the the collective band of African and other influences with core members Magnust Mehta, Lilli Elina and Jimmy le Messurier
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Mind Maintenance: Joshua Abrams and Chad Taylor
Song of the Day: A mesmeric track from the self-titled album by Chicago duo of bassist Joshua Abrams and drummer Chad Taylor who take up the guimbri and mbira, instruments used the music of diverse African states
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CARM aka trumpeter and producer CJ Camerieri
Song of the Day: A beautiful collaboration between the New Jersey trumpeter aka CJ Camerieri and the Detroit singer-songwriter about meditative struggles captured via sublime orchestration and sound, taken from CARM’s debut album
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Valerie June’s forthcoming album
Songs of the Day: An uplifting triple Sunday special from the singer, songwriter, and multi-instrumentalist from Memphis, Tennessee who mixes soul, gospel, country and blues in this three-track standalone digital release
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Nancy
Songs of the Day: One is highly reminiscent of David Bowie’s Fashion, the other has strains of glam rock-era Marc Bolan, but that’s can only mean praise, and this is vibrant, funky and beepingly brilliant work by the artist Jamie Stephen Hall
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Miles Davis’s In A Silent Way, recorded 18 February 1969
Album of the Day: A special edition to mark the anniversary of a unique masterpiece recorded 50 years ago today on 18 February 1969 at New York’s CBS 30th Street Studio. Davis’s contribution was small, but key, fitting perfectly alongside the work of other greats
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