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Check the moves: Louis Cole’s I’m TIght
Song of the Day: Superbly sharp, droll, witty and taut electro-funk with a particularly fabulous bass line by the American multi-instrumentalist and founder of the jazz-funk-electronic duo Knower, and taken from his forthcoming solo album Quality Over Opinion
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The Umlauts forthcoming new EP, Another Fact
Song of the Day: “Just another trans-European, multi-lingual, art-school, post-punk, techno-inspired, über-group/circus-troop/diaeresis” is how the band describe themselves with their latest catchy, arresting retro new wave electro-rave-pop sung in German
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LUNGE: Viva Seifert and Mark ‘Arp’ Cleveland
Song of the Day: Catchy, quirky synth-pop with a retro 80s feel, shades of OMD and high vocals somewhere between Associates and Kate Bush, this new single about severance and letting go is by the duo of Viva Seifert and Mark “Arp” Cleveland
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Leftfield’s forthcoming fourth studio album
Song of the Day: A welcome return by the British electronic duo of Neil Barnes and Adam Wren in this mesmeric clever dancefloor number that has a wobbly echo of the classic 1990s single Phat Planet, and comes from the forthcoming album This is What We Do
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Lip-sync construction worker from the video for So Typically Now
Song of the Day: Fabulously catchy, but also scathing electro-pop by New York’s Meg Remy about the cultural vacuum left by the mass exodus from wealthy Brooklyn residents to Kingston in upstate New York, leading to a real estate boom
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Panda Bear aka Noah Benjamin Lennox
Song of the Day: Taken from the forthcoming album Reset, this wonderfully ironic look at the life of staring at screens and mobile technology uses a retro vocal harmony style reminiscent of Beach Boys, with added electronic beeps and a dash of They Might Be Giants
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Stereolab’s forthcoming new compilation of rarities and unreleased tracks
Song of the Day: Newly released for a forthcoming rarities compilation, but originally written in 1995, this classic krautrock-influenced number by the avant-pop band of Laetitia Sadier and co was originally written for to complement a sculpture made by the band’s artist collaborator, Charles Long, on 1995’s Music for the Amorphous Body Study Center
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Song of the Day: Taken from his new album Escapology, the first since 2019’s Nothing, an extraordinary, incomparable piece of electronica with oddball rhythmic chords, beats and and scratchy trickling sounds by the alias of Hyperdub record label Steve Goodman
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Gabe Gurnsey with Tilly Morris
Song of the Day: From the forthcoming second album Diablo, and a follow-up to his debut, Physical, the Manchester artist and founder of duo Factory Floor, releases a catchy, passionate blend of old-school electronica and 808-inspired dance music
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Eat Your Own Ears’ new compilation EP1
Song of the Day: A joyously intricate new number mixing keyboards, beats and more acoustics from a thumb piano to hammered dulcimer quality, by the British electronic artist Kieran Hebden, taken from a new limited edition release from the label Eat Your Own Ears Recordings, EP1
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Erland Cooper – Music For Growing Flowers
A beautiful four-part piece by the Scottish musician and composer blending the sounds of piano, harp, cello, violin and vocals with electronics as part of the summer 2022 Superbloom project played at site of wildflowers grown around the moat of The Tower of London
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Kaitlyn Aurelia Smith’s Is it Me or is it You?
Song of the Day: With interweaving vocals and beats, fantastically shapeshifting experimental electronica from the forthcoming album Let's Turn It Into Sound by the LA-based composer, performer and producer from Orcas Island, Washington State
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Stromae’s third album, Multitude
Song of the Day: An extraordinary song of harpsichord, chanson, and hip hop, as well as its video, from the recent third album, Multitude, by the innovative Belgian artist of Rwandan Tutsi descent, Paul Van Haver, about a fictional tribute to a sex worker and maternal heroic figure who has passed away, here playing the part of a leader delivering a speech from a podium
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PVA: Untethered
Song of the Day: Fabulously arresting, talky new wave electro-pop with a slightly menacing, dark feel by the London trio of Ella Harris, Josh Baxter and Louis Satchell, in this new single out on Ninja Tune
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Unloved - Mother's Been a Bad Girl
Song of the Day: Given a wider audience by its inclusion on the Killing Eve TV series soundtrack, this fusion of glam rock and electro-pop by the trio of LA’s Jade Vincent and Keefus Ciancia and Belfast producer and DJ David Holmes is sexy and stylish, and now also comes with some brand new ear-catching remixes including by Horse Meat Disco
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La La Rue’s new EP Hi-Fidelity
Song of the Day: Stylish, woozy, lazily cool summer funk and hip hop from the West London queer rapper featuring guest rapper aka Jessica Smyth in this title track from La Rue’s forthcoming EP
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The title track to Gemma Cullingford’s next album out this September
Song of the Day: Ear-catching electronica and the first single and title track from her forthcoming sophomore album by one half of the electronic post-punk duo Sink Ya Teeth. Out on Outré Disque
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Clas Tuuth – Say You Did EP cover
Song of the Day: Crisp, catchy, mesmeric electronica, this experimental new single by the London artist is co-written with and features Kate Stables from This Is The Kit. It’s also title track from the new EP, out on Need No Water Records
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DIfferent category: Braxe + Falcon
Song of the Day: Smooth, sublime, electro-funk-pop by the French dance music production pair of Alain and Stéphane Quême, aka Alan Braxe and DJ Falcon, joined here by Sunni Colon, taken from their forthcoming Step By Step EP that also features Panda Bear
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Sylvan Esso are Amelia Meath and Nick Sanborn
Song of the Day: After Diana Ross’s call for the sunshine yesterday, some after effects with this new catchy, clever, dancey electro-pop track by the North Caroline duo of singer and lyricist Amelia Meath and instrumentalist and producer Nick Sanborn, out on Loma Vista Recordings
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