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Sorry’s latest single
Song of the Day: Dark, bittersweet twangy and clangy post-punk indie from the London five-piece band in this latest love song single about new romance but also desperate insecurity, taken from their forthcoming second album Anywhere But Here
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100 Records by Gramme
Song of the Day: Wonderfully quirky post-punk pop by the London band with ironically spinning lyrics, cleverly inventive rhythms, superbly squirty saxophone by producer Pete Wareham of Melt Yourself Down, and vocal delivery by Samantha Lynham that has shades of Siouxsie Sioux
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Hallan’s new single
Song of the Day: New punchy, caustic indie post-punk by the Portsmouth band with a title that translates from German as ‘to throw up’’ and sharply and ironically parodies a Anglo-Saxon attitudes and picks up on various national crises and hypocrisies
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Hitting on the right things to say … Cheekface
Song of the Day: Sharp, witty, post-punk indie with shades of Television and Cake by the Los Angeles trio in a song about “what it means to say the right thing if others think you’re virtue signaling, especially if you’re worried they might be a little right”
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Come, say Grave Goods …
Song of the Day: Raunchily angry, scratchy, dark, bold, minimalist post-punk and heavy rock comes like a bullet with a devilishly menacing video in this new project by members of PINS, Girls Names, and September Girls, and heralds their forthcoming debut album: Tuesday. Nothing Exists
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A great musical serving by Courting …
Song of the Day: As the 2022 Wimbledon tournament begins, let’s enjoy this sharp, witty new post-punk number by the Liverpool quartet, about a different form of to-and-fro ball-hitting in a dysfunctional relationship
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Regressive Left
Song of the Day: With shades of LCD Soundsystem and The Human League, this sharp new postpunk single by the trio fronted by Simon Tyrie focuses on deliberately assuming the worst of someone or something they’ve said or done, something exacerbated by social media
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Cola’s album Deep in View
Song of the Day: A thrumming, knotty, crafty, catchy post-punk single with a glam-rock beat by the trio of former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums) from their debut album Deep in View out on Fire Talk
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Ezra Furman returns with a new album in August
Song of the Day: From the forthcoming new album All of Us Flames, an impassioned powerful new song by the American inspired by a female friend who a woman warns her the lover about her past crises, and they will come likely return
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Cover of the accompanying EP of this single to go with the 2022 Telefís album a hAon
Song of the Day: From a brilliant collaborative album by the witty, iconoclastic songwriter Cathal Coughlan (of Microdisney, Fatima Mansions and more) who very recently sadly passed away, and acclaimed producer Jacknife Lee, this is a mischievous experimental postpunk electro-pop examination of Irish history and pop culture, one they call "a corrosive nostalgia"
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Crack Cloud’s forthcoming album Tough Baby
Inventive, alternative postpunk-pop by the Vancouver collective themed around the aspirations of the teenage bedroom wall, and while art is a mechanism for healing and discovery, it also faces paradoxical engineered illusions of media industry
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Viagra Boys’ upcoming new album Cave World
Song of the Day: After Black Midi and Straw Man Army, more powerful new post-punk with rippling guitar work and a moral outrage against violence, here by the Swedish band from their forthcoming album Cave World
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Straw Man Army’s second LP
Song of the Day: After yesterday’s blistering musical military assault by Black Midi, more excellent guitar-based alternative post-punk by the New York duo Owen and Sean with a death-defying number about information overload from their second LP SOS
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The cover of black midi’s forthcoming album Hellfire
Song of the Day: Taken from the acclaimed experimental British band’s forthcoming album Hellfire, a blistering, pacy, dynamic track of stop-start manic rhythmic in guitar, drums and brass, with a theme of hellish military command and its ordered chaos
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In shapes: Personal Trainer
Song of the Day: The latest in witty, catchy post-punk-pop by the Amsterdam-based seven-piece with a song loosely about dance and unity, and partly reminiscent of the style of LCD Soundsystem and Brooklyn’s Bodega
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Blur’s Graham Coxon and former Pipettes’ Rose Elinor Dougall
Song of the Day: Blur’s Graham Coxon and former Pipettes’ Rose Elinor Dougall combine in this fabulously sharp, fast, witty, post-punk electro-pop number that cries out on escaping the confines of technology and other distractions
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Cardiff’s Panic Shack: don’t even think about putting in the milk first …
Song of the Day: A catchy, sharply witty and amusing post-punk indie put-down song by the Cardiff band about how a new romance is ruined by a new boyfriend’s off-putting habits, taken from the recently released Baby Shack EP out on Brace Yourself Records
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Peeping Drexels
Song of the Day: Striking new thrumming, shimmering, swaggering post-punk by the London band in a number described as “a euphoric celebration of simplicity, the track is an ode to the vibe of chaotic old-school block parties and hard Miami bass, with a lurking undertone of darkness beneath the surface."
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Heather Elle of Flossing
Song of the Day: A biting but catchy piece of industrial post-punk indie pop tilted at misogyny, micro-aggression and manipulation, creatted by Brooklyn’s former Bodega and The Wants bassist Heather Elle, joined by guitarist Elijah Sokolow (The Living Strange) and saxophonist Kate Mohanty
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LIFE up in the North East of England
Song of the Day: After yesterday’s number by Bob Vylan, another self-addressing mental and physical health issues – drinking, smoking and eating badly and FOMO, by the vibrant post-punk indie band in a title inspired by the location of their studio near the river Humber
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