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Beverly Glenn-Copeland
Song of the Day: A beautiful, moving, gently old-fashioned new version of an older song by the veteran US-born Canadian trans singer with that distinctive, charming voice, heralding the forthcoming album, Laughter In Summer, out on 6 February 2026 via Transgressive Records. Let Us Dance was previously released as a synth-based version on the 1986 album Keyboard Fantasies
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The New Eves - Red Brick / Whale Station
Song of the Day: Following their excellent debut LP in August, The New Eve Is Rising, the Brighton experimental quartet return with with an arresting mix of spoken word and lo-fi folk-rock, developed from a jam and a poem about a trip to New York, and out on Transgressive Records
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The Antlers aka Peter Silberman
Song of the Day: A gorgeously sparse, intimate, number with quiet piano accompaniment before a powerful explosion of sound by the New York singer-songwriter-guitarist-producer Peter Silberman from the upcoming new album Blight, out on 10 October via Transgressive Records
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The Waeve: Graham Coxon and Rose Elinor Dougall
Song of the Day: A new single of catchy, punchy dynamic electro-pop-rock by the couple duo of Rose Elinor Dougall and Blur guitarist Graham Coxon (also adding meaty saxophone), heralding their new EP Eternal, out on Transgressive Records
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Sparks’ Russell and Ron Mael - always doing things their own way
Song of the Day: Continuing an approach they’ve followed for more than five decades, the ever entertaining brothers Ron and Russel Mael return with further fun, groundbreaking pop, heralding their 28th studio album, MAD!, out this year on Transgressive Records
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From the video for The Moonlandingz single, The Sign of A Man
Song of the Day: The mischievous band featuring Sheffield’s Adrian Flanagan, Dean Honer and Fat White Family’s frontman Lias Saoudi serve up a catchy, colourful cocktail of 80s-era European electro-disco with a fabulously tongue-in-cheek dance-costume video
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The Waeve: Rose Elinor Dougall and Graham Coxon
Song of the Day: Another stylish, striking, stormy sounding indie single by the Blur guitarist Graham Coxon and his partner aka Rose Elinor Dougall are releasing their second album together, City Lights, released on 20 September via Transgressive Records
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潘PAN aka Pan Wei Ju
Song of the Day: An entrancing, experimental hybrid of spoken word and electronica by the Taiwanese rapper Pan Wei Ju, with a song about strength in vulnerability in the form of “a monologue of a young and not so experienced witch, who doesn’t always do all her magic and alchemy right.”
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Yannis & The Yaw: the Foals’ frontman’s upcoming EP project
Song of the Day: Fabulous drumming from a past session by the departed legend Tony Allen, and passionate blues-rock vocals from Foals’ frontman Yannis Philippakis in this opening track from his new project and upcoming EP, Lagos Paris London – out on 30 August via Transgressive Records
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Incoming and outgoing: The Antlers - Tide
Song of the Day: Gentle, acoustic and unusually beautiful, a new experimental number the Brooklyn duo of Peter Silberman and Michael Lerner, identifying natural phases over a lifetime with an oceanic metaphorical theme
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Beverly Glenn-Copeland
Song of the Day: A stirring, profound, African- and gospel-influenced new number by the veteran distinctively soulful voiced American singer-songwriter from Philadelphia from his forthcoming new album The Ones Ahead out on 28 July on Transgressive Records
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Dave Okumu
Song of the Day: A powerful song inspired by the documentary about the January 1981 New Cross Fire in south London that claimed 13 Black young lives, with the title from a chant of anti-racism protests that followed
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Blur’s Graham Coxon and former Pipettes’ Rose Elinor Dougall
Song of the Day: Blur’s Graham Coxon and former Pipettes’ Rose Elinor Dougall combine in this fabulously sharp, fast, witty, post-punk electro-pop number that cries out on escaping the confines of technology and other distractions
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The cover for Arlo Parks’ forthcomign LP Collapsed in Sunbeams
Song of the Day: Smooth, soulful and soul-searching, the latest single from the impressively mature 20-year-old London singer-songwriter Anaïs Oluwatoyin Estelle Marinho examines a difficult relationship fraught by social prejudice
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