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Song of the Day: Frenetic, stomping, bass-heavy, angular guitar and catchy post-punk with echoes of Leeds’ Delta 5 by the Nashville band in this title track from their forthcoming new album, out on 3 October via Third Man Records
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From the video for The Hives’s new single, Paint a Picture
Song of the Day: The Swedish post-punk rockers return with a raucous, swaggering, riveting single with blistering changes of chorus pace, a stylish video inspired by the art style of Roy Lichtenstein, and heralding their upcoming album The Hives Forever Forever The Hives, out on 29 August on Play It Again Sam
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Rung up: Gina Birch
Song of the Day: A catchy, energising, all-empowering, air-punching new post-punk single by the legendary Raincoats co-founder, artist, bass player and film-maker, inspired by, and name-checking heroines of art, politics and protest, heralding her forthcoming album Trouble, out on 11 July via Third Man Records
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Tropical Fuck Storm’s upcoming album Fairyland Codex, out on Fire Records
Song of the Day: A heady new brew of Beefheart-ish ironic, acidic, acerbic, anarchic psychedelia by the brilliantly different Melbourne post-punkers with a song about the absurd overestimation of knowledge, from their forthcoming new album, Fairyland Codex, out on Fire Records
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Viagra Boys - Man Made Of Meat
Song of the Day: A humorously vivid title with punchy, catchy number and video with this ironic take on consumerism and the art world by the mischievous Swedish punk band, in this first single from the forthcoming album viagr aboys, due out on 25 April on Shrimptech Enterprises
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Skunk Anansie - An Artist Is An Artist
Song of the Day: A welcome and excellent return from the London rockers fronted by the inimitable Deborah "Skin" Dyer with a punchy, uncompromising number about creative life, its disciplines, sacrifices and identity, out on Frontiers Records
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The Velveteers
Song of the Day: Gripping, gutsy, greedy, dirty-fuzz guitar rock by the trio from Boulder, Colorado, heralding their new album A Million Knives, produced by The Black Keys’ Dan Auerbach, and released on 14 February via Easy Eye Sound
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The Priscillas - Plastic
Song of the Day: Panache-filled, punchy panic by the glamorous London power-punk quartet in this new single about how one of the planet’s biggest polluting problems goes down to cellular level, with menacing guitars and bass lines, driving drums, and sharp, dynamic vocal harmonies
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Sunny War
Song of the Day: With sharp, socio-political lyrics on modern paradoxes, absurdities and inequalities, this beguiling duet with the legendary singer from anarcho-punk band Crass, heralds a new album by the Nashville born, LA-based folk-punk artist Sydney Lyndella Ward, Armageddon In A Summer Dress
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Lambrini Girls: Phoebe Lunny and Lilly Macieira
Song of the Day: Blistering, brilliant, angry, articulate punk by the Brighton duo of Phoebe Lunny and Lilly Macieira addressing key, ongoing issues of inequality of gender and sexuality in the workplace. Familiar problem? Just finishing your working week? Let off some steam with this …
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Shelf Lives: John Hillyard and Sabrina Di Giulio
Song of the Day: Visceral, biting, powerful, punchy, semi-spoken, semi-screamed electro post-punk with a dark theme by the London-based duo of producer John Hillyard and Toronto-born vocalist Sabrina Di Giulio, out on Not Sorry Mom Records
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The Dare’s forthcoming album What’s Wrong With New York?
Song of the Day: A punchy, cocky, talky, witty post-punk fusion with echoes of LCD Soundsystem and The Fall by the New York artist Harrison Patrick Smith, with a new single heralding his forthcoming debut album What’s Wrong With New York?, set for release on 6 September via Polydor/Republic Records
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Down in the dirt: Amyl and The Sniffers - U Should Not Be Doing That
Song of the Day: A very welcome return by the irrepressible Amy Taylor and Melbourne punk band with their first new music for three years, mixing anger and humour and poking fun at naysaying fans with this fabulous Detroit garage grit-style number, which, while indisputably Sniffers, also has some strutting echoes of The Rolling Stones
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J.R.C.G’s forthcoming debut LP Grim Iconic...(Sadistic Mantra), on Sub Pop
Song of the Day: With a fantastically meaty, dark thrum, groove and infectious abstraction, a new post-punk single by the Tacoma, Washington-based artist Justin R. Cruz Gallego, from from his forthcoming debut album Grim Iconic...(Sadistic Mantra) out on 2 August via Sub Pop Records
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Peter Bibby in two of his guises
Song of the Day: … but not anymore!” The latest single by the witty Australian artist is a driving drum-machine, thrumming bass and blistering guitar punk banger, a humorous perspective on changing your ways, with vocal style influences such as Suicide and Throbbing Gristle
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Big Special: Joe Hicklin, Callum Moloney and friend
Song of the Day: A change of pace to a gentler style by the usually punchier post-punk Walsall duo of singer and Joe Hicklin and drummer Callum Moloney, and number with a beautiful, tender, reflective melody and lyrics
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The mini debut album by couchgagzzz - GOSPORTS!!!
Song of the Day: Short, punchy, catchy and fast, the infectiously energetic title track from the recent debut mini album by the band from Bari, Italy, with inspiration from the Australian punk scene, style they herald budget rock and synth punk, but also with echoes of the Ramones
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BODEGA’s forthcoming next album, Our Brand Could Be YR Life
Song of the Day: Smart, punchy, social satire in this new post-punk single by the New York band fronted by Ben Hozie, from the upcoming album Our Brand Could Be YR Life, out on Chrysalis Records
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Lovely Eggs: Holly Ross and David Blackwell
Song of the Day: Four years since their brilliantly entertaining album I Am Moron, the Lancaster couple Holly Ross and David Blackwell return with wonderful psychedelic punk west coast rock, to herald their new album, Eggsistentialism due on 17 May via Egg Records
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Lip Critic - The Heart
Song of the Day: Frenetic, explosive experimental post-punk electronica by the New York band featuring double drummers, anarchic sampling and frontman Bret Kaser’s lyrical attack on the state of the spiritual marketplace and the isolating results of consumption
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