Your Custom Text Here
Black Midi’s Cavalcade album cover looks as it sounds
Album review: The British quartet’s second album after 2019’s Schlagenheim continues their boundary-pushing direction of frenetic, eclectic mix of the avant garde – jazz, funk, prog in a skilled delirium of wonderful compositions
Read more
Squid’s full debut LP Bright Green Field
Album review: A bold, expansive, experimental and exciting full debut by the postpunk Brighton five-piece, with songs full of musical adventure and dynamic changes, combining krautrock, prog and even a dash of jazz
Read more
Flat White Moon
Album review: The eighth LP from Sunderland brothers Peter and David Brewis brings together a wealth influences and accessibility, cleverly marrying pop, funk and postpunk with echoes of the Beatles, XTC and Todd Rundgren
Read more
Godspeed You! Black Emperor: G_d’s Pee AT STATE'S END!,
Album review: The Montreal post-rockers return with their seventh and among their best to date, expressing the all the doom and the defiance of recent times, using field recordings, atmospheric orchestration, drone sounds, swingtime crescendos, and rich layers towers of distorted clarion sound
Read more
Dry Cleaning
Album review: Dry by name, extra dry by delivery, the post-punk south London band’s debut LP, laced with the spoken word vocals by Florence Shaw, is darkly hilarious fusion of stark guitar and stream-of-consciousness sardonicism
Read more
OH NO …
Album review: This 12th album by the Californian experimental electro-pop, postpunk band led by Jaime Stewart may be the most unusual of year, an oddball set of diverse duets with many guests that sometimes has the melodramatic quality of later Scott Walker
Read more
David Balfe
Album review: Moving, passionate, angry, grief-stricken and tender, this mix of beats, samples and striking spoken word lyrics by the Dublin performer and producer David Balfe is a powerful tribute to a lost friend
Read more
Nicely worn: Black Honey’s album
Album review: Refreshing, energetic, upbeat big-chorus fuzzbox indie-pop by the four-piece from Brighton with echoes of big-sound styles ranging from Primal Scream to Girls Aloud to Garbage to Sigue Sigue Sputnik
Read more
Nick Cave and Warren Ellis: symbiotic
Album review: "A brutal but very beautiful record nested in a communal catastrophe” is how Nick Cave describes this Covid-19 lockdown-inspired release with his longtime Bad Seed collaborator, and so it is
Read more
Rats on Rafts
Album review: This third album by the alternative post-punk band from Rotterdam is a conceptual journey into the id punctuated with rhythmic kabuki modal mood swings, thunderstorms, digital beeps, traffic noise echoing The Fall and Snapped Ankles
Read more
Mush’s second album Lines Redacted
Album review: The second album by the Leeds-based band extends their distinctive, sonically idiosyncratic style of excellent angular art-rock with mind-bendingly alternative guitar riffs and scales, sharp lyrics and the oddly likeable nasal delivery of songwriter Dan Hyndman
Read more
TV Priest: caustically funny, thunderously angry
Album review: Thunderously angry, caustically witty, burnished with ripping guitar and bass riffs, frenetic rhythm and the imposing vocals of British Charles Bronson-lookalike Charlie Drinkwater, this post-punk band’s debut echoes IDLES and The Fall
Read more
Album review: Liberating, refreshing, eccentric, with a playfully light touch and flourishes of flute and feminist theory garnish this solo debut by the singer who works with Holly Herndon singer and is half of Italian synth new wave duo Itaca
Read more
Mask
Album review: The south London quartet’s second album has is double-edged woozily beguiling in music and caustic in lyrics, a mixture of shoegaze, postpunk, and electronica with a distinctive sound produced by the groundbreaking Dan Carey
Read more
Palberta’s Lily, Ani and Nina
Album review: A new album of abstract indie charm by the New York trio, at times chugging and spluttering in DIY arrhythmic style like some battered old Citroën 2CV, it also has a sweet sounding shambolic quality that grows on you
Read more
Kiwi Jr.’s second album Cooler Returns, out on Sub Pop
New album: Clever, wry, satirical, topical, inventive upbeat indie by the Toronto quartet with their second album following Soccer Money, who have echoes of Pavement and The Modern Lovers, but with added vim and vigour, keyboards and harmonica
Read more
Pom Poko
Album review: The postpunk Indie quartet from Norway return with their second LP after 2019’s Birthday with more wonderfully energetic work in this short, sharp selection of 10 three-minute songs
Read more
Shame. Back for a second trip
Album review: The south London band return with a strong and developed sound from 2018’s Songs Of Praise, with a greater range of postpunk styles in their armoury, and also echoing other bands such as IDLES, Squid and Art Brut
Read more
Stark but vital: Spare Ribs, the latest LP by Sleaford Mods’ Jason Williamson and Andrew Fearn
Album review: Jason Williamson and Andrew Fearn return with their latest album recorded last July in lockdown, and as ever its filled with topical hard-hitting humour and brilliant bass and beats backing tracks by Fearn
Read more
Anything can happen. Lice from Bristol, creating new frequencies
Album review: Experimental, clattering, clanging, sawing, banging, challenging but very rewarding, this is a very alternative, ambitious but brilliant full debut album from the Bristol postpunk band
Read more