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Margaret Glaspy
Song of the Day: Following Sudan Archives’ body- and control-themed number, today’s song was written before the Roe v Wade reversal, but released in response, quietly powerful, bluesy protest by the American singer-songwriter backing pro-choice across a variety of situations
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From the video for Lambchop’s Police Dog Blues
Song of the Day: Moving again away from his best known alt-country style, Kurt Wagner returns with an extraordinary experimental fusion of jazz, gospel and soul with this song that imagines a post-apocalyptic world where ex-police dogs roam
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Hether aka Paul Castelluzzo’s new release
Song of the Day: Fabulously dirty, bluesy fuzz guitar-based vampiric love song by the alias of Californian jazz guitarist and singer-songwriter Paul Castelluzzo, who tunes up and distorts his voice for a distinctive style
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Color Green’s new single covers the full spectrum
Song of the Day: Bluesy, slightly Rolling Stones-y, but above all a timelessly classy though new piece of Americana meets New Orleans-style soul that builds with a soaring voice, by the California pair of Noah Kohll and Corey Madden
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Anna Calvi’s new single, from the Peaky Blinders soundtrack, is among other covers on a new EP
Song of the Day: Taken from the soundtrack to the final series of the Peaky Blinders TV drama, a powerful new cover version by the British singer and guitarist of the traditional gospel and blues number attributed to Claude Ely (1922–1978) from Virginia
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Oumou Sangaré
Song of the Day: From her forthcoming album Timbuktu, a fabulously stirring and upbeat number by the Malian superstar singer and rights campaigner celebrating independent women in her hometown area of Wassulu, released last week to coincide with International Women's Day
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Fantastic Negrito
Song of the Day: Fabulous mix of funk, blues and African influences in this ironic song by the flamboyant musician from Oakland, California about greed, excess, commodities and racial prejudice inspired in style by Taj Mahal’s idea of the “gods of Africa meeting the ghosts of Mississippi”
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Gabriels’ new single Bloodline, with a painting of singer Jacob Lusk
Songs of the Day: Two sublime, powerful, moving, and beautiful numbers by the Los Angeles gospel, soul and jazz trio fronted by singer Jacob Lusk who has the emotive, melancholy qualities of Nina Simone and Bessie Smith, and here, with string and wind arrangements, captures a rich black history in every tone
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Sam Evian’s forthcoming album Time To Melt
Song of the Day: The crisp, laid back, stylish, gentle funk of this single by the Brooklyn artist comes in a clever contrast to the seriousness of subject – a divided America facing a Capitol skirmish scandal and difficult schisms to deal with and heal
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Moor Mother and Billy Woods: The Blues Remembers Everything The Country Forgot
Song of the Day: Dark, soulful vocals, field recordings, great hip-hop and trip-hop, jazz and a brilliant title, this powerful and profound racial history number by the American poet, musician, and activist from Philadelphia, comes from the 2020 album BRASS, with additional instrumentation by Sons of Kemet
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Valerie June’s forthcoming album
Songs of the Day: An uplifting triple Sunday special from the singer, songwriter, and multi-instrumentalist from Memphis, Tennessee who mixes soul, gospel, country and blues in this three-track standalone digital release
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Khruangbin – unforgettable
Song of the Day: A delicious sounding, smoothly delivered new track fusing funk, soul dub, African, and psychedelia by the American musical trio from Houston, Texas, comprising Laura Lee on bass, Mark Speer on guitar, and Donald Ray "DJ" Johnson Jr on drums
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Dick Dale in the full 60s surf mode with the Del-Tones
Song of the Day: A tribute to the king of the surf guitar after his recent passing aged 81, hugely influential on Jimi Hendrix and other rock guitarists, the left-hander’s rock guitar style was shaped by his Lebanese background
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Davey Graham, originally spelled Davy
Song of the Day: After the ‘fuss and fight’ of the Paragons and later Massive Attack on Man Next Door, and reverse of perspective from the neighbour making the noise, in a powerful version by the great and underrated English folk guitarist and singer
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Alabama 3
Song of the Day: After Miss Otis Regrets, another songs about a women who decided to stop taking abuse from a man, this time by the band from Brixton whose song eventually became synonymous with the Sopranos
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New Year’s Eve fireworks with Tom Waits
Song of the Day: An annual theme from a perennial Song Bar favourite - Tom Waits’ and Kathleen Brennan’s gentle song captures some of the chaos, fireworks, fights, arguments and emotional turmoil as the year unstoppably turns
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A scene from the New York section of Night On Earth (1991)
Song of the Day: From Bernard Herrmann’s music from Taxi Driver, let’s catch a ride with another cab film, Jim Jarmusch’s 1991 five-vignettes plot, connected by a soundtrack by Tom Waits and Kathleen Brennan
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Otis Redding, 1941-1967
Song of the Day: After yesterday’s classic blues number best known for Lead Belly, another simmering jealousy classic from one of the great soul stars whose life was tragically cut short in a 1967 plane crash aged only 26
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Lead Belly
Song of the Day: Also known as In The Pines, and Black Girl, today we move onto another traditional song variously interpreted, dark and brooding, haunting in its melody, and simmering with suspicion and jealousy
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The Animals may have done the best-known cover version, but there are arguably others than better it
To some it’s a masterpiece, to others a dirge, but from 17th century England to 20th century New Orleans, with artists that include Woody Guthrie, Nina Simone, The Animals and alt-J it’s a song that keeps evolving
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