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Avalanche Party - Shake The Slack
Song of the Day: Panache-filled post-punk with a fierce, electrical energy and sharp lyrics by the five-piece band from the North Yorkshire Moors in a new single heralding their forthcoming album, Der Traum Über Alles, out on 7 February via AMK/ Kartel Music.
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The Velveteers
Song of the Day: Gripping, gutsy, greedy, dirty-fuzz guitar rock by the trio from Boulder, Colorado, heralding their new album A Million Knives, produced by The Black Keys’ Dan Auerbach, and released on 14 February via Easy Eye Sound
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The Priscillas - Plastic
Song of the Day: Panache-filled, punchy panic by the glamorous London power-punk quartet in this new single about how one of the planet’s biggest polluting problems goes down to cellular level, with menacing guitars and bass lines, driving drums, and sharp, dynamic vocal harmonies
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KuleeAngee - Animated Love
Song of the Day: A fabulous toe-tapping, funk-disco, acid-house-influenced, talky-vocal indie-electronica groove debut by the Scottish duo of Duncan Grant and Keshav Kanabar, out on the Manchester indie label, Lab Records
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Squid: digging deep into new musical territory
Song of the Day: This epic, enigmatic experimental new track, featuring harpsichord sounds alongside intricate guitars, driving beats and menacing lyrics, heralds the Brighton art-rock-post-punk band’s third LP, Cowards, out in February 2025 on Warp Records
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Nitefire’s EP, Ameripop! out on Concord Records
Song of the Day: Catchy, quirky, punchy post-punk by the young LA band with electo-pop ripples and echoes of New York’s LCD Soundsystem and the style of 90s Brit rockers Supergrass, taken from their new EP Ameripop!, now via Concord Records
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LCD Soundsystem - X-Ray Eyes
Song of the Day: Infectiously catchy, stripped back, electro-synth-post-punk by the popular New York band fronted by James Murphy with a new single serving as teaser for an as yet unfinished new album, out on Columbia Records
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Heartworms’ Jojo Orme, from the video for Warplane
Song of the Day: Inspired by the death of a young WW2 Spitfire pilot, a dark, yet evocative, exciting, pacy, dynamic, postpunk single with distorted guitars, propeller like drums, and the alluring, explosive presence of Jojo Orme, heralding a debut album Glutton for Punishment, and produced by Dan Carey on Speedy Wunderground
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Furry logic: from the video for A Place To Bury Strangers’ Fear Of Transformation, from the new Synthesizer album
Song of the Day: Taken from the Brooklyn band’s recently released and seventh album, Synthesizer, a dark and alluring goth-electro-postpunk number reminiscent of 1980s Suicide, about a teenage boy sneaking our of his parent's house to go to his first Furry party, but with a deadly secret – he's a werewolf
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Wussy
Song of the Day: Graveyard themed, but also referencing the euphonic phrase considered the most among the English language’s most beautiful, a catchy, spooky lo-fi krautrocky title track with a fabulous retro disco footage video, from the Cincinnati band’s latest EP, out on Shake It Records
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Fresh delivery, Adult DVD’s new EP, Next Day Shipping
Song of the Day: Fresh delivery and punchy, energetic electro-postpunk by the Leeds band in the opening track from their new EP Next Day Shipping, following other singles Doomsday Prepper, Bill Murray and Yacht Money
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Pelican crossing: Kim Deal …
Song of the Day: Crunchy, fuzzy, spacey, dreamy, psychedelic, this striking new single from the Breeders and former Pixies star is taken from her debut solo album, Nobody Loves You More, out on 22 November via 4AD
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Thus Love’s forthcoming album, All Pleasure
Song of the Day: Swaggering, stylish indie postpunk, with a touch of Arctic Monkeys, by the band from Brattleboro, Vermont, with a strangely disturbing celebratory video (also featuring an owl), and heralding their sophomore album, All Pleasure, out 1 November via Captured Tracks
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Silverbacks
Song of the Day: Catchy, crisp indie with shades of Stereolab, an intimate drum beat and clarinet tones by the Dublin six-piece heralding their third LP Easy Being A Winner, out on 18 October via Central Tones / Cargo
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Shelf Lives: John Hillyard and Sabrina Di Giulio
Song of the Day: Visceral, biting, powerful, punchy, semi-spoken, semi-screamed electro post-punk with a dark theme by the London-based duo of producer John Hillyard and Toronto-born vocalist Sabrina Di Giulio, out on Not Sorry Mom Records
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She Drew The Gun, aka Louisa Roach
Song of the Day: Liverpool’s brilliant Louisa Roach returns with a powerful new number described as “like a therapy session with your shadow self. It’s a looking in the mirror song, a song to my subconscious, my shadow,” and following the title track single, heralds her forthcoming album, Howl, out on 15 November via Submarine Cat Records
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Crows: Vision of Me
Song of the Day: Shades of both Joy Division and Killers come in this stridently powerful, high octane rock single about identity, with a Terry Gilliam’s Brazil-inspired dystopian video shot at the Barbican, and hails the London band’s forthcoming album Reason Enough, out on 27 September via Bad Vibrations
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The Dare’s forthcoming album What’s Wrong With New York?
Song of the Day: A punchy, cocky, talky, witty post-punk fusion with echoes of LCD Soundsystem and The Fall by the New York artist Harrison Patrick Smith, with a new single heralding his forthcoming debut album What’s Wrong With New York?, set for release on 6 September via Polydor/Republic Records
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Party Dozen’s forthcoming album Crime In Australia
Song of the Day: A powerful, surging stirring, experimental postpunk but also melodic track by the Sydney-based duo of saxophonist Kirsty Tickle and percussionist Jonathan Boulet, about the tumultuous political landscape of Queensland during the reign of 60s-80s Premier Joh Bjelke-Petersen
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Pom Poko
Song of the Day: A fantastic frenzy of a new single about life as a messy to-do list, featuring string harmonics in both guitar and bass played at breakneck speed by the Norwegian indie postpunk band, heralding their forthcoming third album, Champion, out on 16 August on Bella Union
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