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Bendik Giske
New album: An extraordinary second album by the classically trained Norwegian saxophonist, who undermines the instrument’s showy jazz cliches by employing contact microphones around his tenor to amplify noisy fingers clicking against the keys and keypads for a new world of sound
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Ishmael Ensemble
New album: Excellent, evocatively fluid follow-up to 2019’s A State of Flow by the Bristol band of Pete Cunningham and co whose mix of harp, saxophone, upright bass, vocals, percussion and more create a mesmeric mix of electronica, folk and jazz
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Leon Bridges: Gold-Diggers Sound
New album: Delicate soul mixed with R&B, Afrobeat, late-night jazz and even a dash of country come in this third LP by the 32-year-old singer, songwriter and record producer, filled with heartbreak and hope stemming from events of the past year
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L’Rain’s second album - Fatigue
New album: This second album by the Brooklyn-born multi-instrumentalist and singer Taja Cheek is an entrancing mix of keyboards, synths, and haunting vocals, a woozily wonderful and unique style of dream-like delicacy
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The third album by Hiatus Kaiyote
New album: This wonderful third album by the Melbourne band is a free-flowing beauty - like a butterfly garden of jazz, soul as well as Brazilian influences from time spent with veteran composer Arthur Verocai and Amazonian indigenous Varinawa communities
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Ìxtahuele: Eden Ahbez's Dharmaland
Album review: Serene, strange, magical a wonderful collection performed by the Swedish experimental band of newly discovered sheet music of instrumentals and songs by the composer best known for Nature Boy, written for Nat King Cole
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Greentea Peng’s debut LP Man Made
Album review: The debut album by the south Londoner is has woozy, easy, hazy, lazy summer feel, a mix of languid hip hop, reggae, jazz, and soul with a dash of dub, a dribble of drum’n’bass and even psych with a hippie sprinkle
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Black Midi’s Cavalcade album cover looks as it sounds
Album review: The British quartet’s second album after 2019’s Schlagenheim continues their boundary-pushing direction of frenetic, eclectic mix of the avant garde – jazz, funk, prog in a skilled delirium of wonderful compositions
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Sons of Kemet: Black to the Future
Album review: A wonderful return by the pioneering UK-based jazz quartet after 2018’s acclaimed Your Queen is a Reptile, here with fuller compositions and arrangements, and featured vocalists including Kojey Radical, Moor Mother, Angel Bat Dawid, Joshua Idehen and D Double E
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Sophia Kennedy’s Monsters - impossible to control or define
Album review: An unholy, beguiling and at times mischievously brilliant mixture of pop, Tin Pan Alley, vintage showtunes, hip hop, abstract electronica and horror film culture, the Baltimore-born, Hamburg-bred artist is just as impossible to define as to not enjoy
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More of Tony Allen’s work posthumously in collaboration with guest artists
Album review: Entertainingly diverse posthumous album bringing together recordings by the great drummer and Afrobeat pioneer with Femi Kuti, here matched here with guests from soul to hip hop, including Sampa The Great, Skepta, Damon Albarn, and Lava La Rue
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Alfa Mist’s third album, Bring Backs
Album review: A mellifluous weave of jazz, soul, poetry hip hop by the east London rapper, producer and instrumentalist aka Alfa Sekitoleko with a nod to his various musical influences, especially the capital's vibrant jazz scene
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Caoilfhionn Rose
Album review: Sounding like a sunlit landscape of whispering grasslands, this beautiful mix of folk, jazz, ambient electronica and gentle psychedelia comes with the pure, soft, soaring voice of the Manchester singer-songwriter
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Matthew E. White and Lonnie Holley
Album review: This first collaborative release between the Virginia songwriter, producer, and founder of Spacebomb Records and the Alabama sculptor is an experimental fusion of jazz, funk, electronica and exclamatory spoken-word observation
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Album review: The high-class purveyor of late 50s and 60s vintage soul, jazz, blues and R&B returns with one his best yet, with the shuffle of rhythm, the twang of guitar and the dangle of quiff with those Buddy Holly/Clark Kent looks
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Ryley Walker’s Course in Fable
Album review: A 10th album of seven highly agile, experimental prog-jazz acoustic guitar-based numbers deftly performed by the Illinois-born, New York-based singer-songwriter and produced by Tortoise's John McEntire
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Promises more than fulfilled
Album review: This transcendent, astonishingly beautiful work, from a five-year collaboration, culminates in genre-spanning exquisite music over nine continuous movements that could easily top the best of the year
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Sunburned Hand Of The Man’s latest album
Album review: An eclectic and fascinating album of newly edited tracks by the prolific Boston Massachusetts collective, covering everything from gentle acoustic to thrash metal, indie, psych, electronica, krautrock and everything in between
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The American Negro by Adrian Younge
Album review: Weighty but vital, the composer’s spoken-word and soulful album of 26 tracks about the history of racism in America is profound, passionate, powerful and current, as well as harking back to the spirit of Gil Scott-Heron and Marvin Gaye
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In Quiet Moments
Album review: Partly released in December, now in full, this is a supreme soul and jazz crossover double album with a stellar cast of guest vocalists, by Bella Union boss Simon Raymonde and former Jesus & Mary Chain drummer Richie Thomas
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