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Girl In Red
Album review: “Honey, I’m not doing so well". Impressively candid, clever pop debut capturing a variety of emotional, relationship and sexuality traumas through catchy songwriting by Norway’s Marie Ulven who has already become a bedroom-produced YouTube star
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Teenage Fanclub’s Endless Arcade
Album review: This first album for five years by Scotland’s indie veterans as ever is wonderfully consistent, here marrying the musically sunny and uplifting with dark, tragic subject matter to reflect recent times
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The Coral’s new double album
Album review: Themed loosely in setting, characters and narrative around a British seaside resort, this new double album by the Liverpool band glitters with beautifully relaxed, timeless tunes that shimmer with a late-60s psychedelia
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Art D’Ecco’s In Standard Definition
Album review: A stylish and charismatic glam-rock electro-funk-disco pop second album, echoing everything from early 70s Bowie or Bolan’s T-Rex to 80s synth New Romantics, by the wonderful Canadian androgynous singer
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Album review: Refreshing, full-bodied vocal harmonies and almost messianic, upbeat lyrics make this new indie pop album by the West Country quartet a breath of positivity that also echoes the energy of Arcade Fire and The Polyphonic Spree
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Flat White Moon
Album review: The eighth LP from Sunderland brothers Peter and David Brewis brings together a wealth influences and accessibility, cleverly marrying pop, funk and postpunk with echoes of the Beatles, XTC and Todd Rundgren
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Sharon Van Etten is joined by guests’ new cover version on this special 10-year anniversary double album edition
Album review: A decade after the American singer-songwriter’s acclaimed second album, seven wonderfully written songs are reissued alongside versions by contrasting guests including Fiona Apple, IDLES, and Lucinda Williams
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La Femme’s third LP
Album review: The French band’s third album is an attractive, energetic mix of classic vintage sounds from 60s candy floss pop to 80s synth new wave, instrumentals that could TV themes, whispery and sensual hip hop, disco and dash of rave
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Du Blonde’s Homecoming
Album review: Beth Jeans Houghton returns, now under her label, continuing her more recent stripped back formula of great songwriting wrapped in fuzzbox guitar glam rock, this time with guests including Shirley Manson, Ezra Furman, and of Andy Bell of Ride
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OH NO …
Album review: This 12th album by the Californian experimental electro-pop, postpunk band led by Jaime Stewart may be the most unusual of year, an oddball set of diverse duets with many guests that sometimes has the melodramatic quality of later Scott Walker
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Nicely worn: Black Honey’s album
Album review: Refreshing, energetic, upbeat big-chorus fuzzbox indie-pop by the four-piece from Brighton with echoes of big-sound styles ranging from Primal Scream to Girls Aloud to Garbage to Sigue Sigue Sputnik
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Ladies of the canyon … the cover of Lana Del Rey’s eighth album
Album review: Evoking big, wide landscapes with a slow, melancholic, wistful, nostalgic and semi-fictional narratives, the New York singer-songwriter’s eighth album is of uniform style and slow pace, but rich in powerfully strong melodies and memorable lines
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Tiggs Da Author’s album covers almost every style under the sun
Album review: Sprightly, catchy and filled with hooks, the Tanzania-born London singer, producer and musicians full debut has something from many genres, from funk to African, jazz, pop, hip hop, reggae, gospel and soul
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Catherine Anne Davis aka The Anchoress
Album review: This emotional release by Welsh singer-songwriter Catherine Anne Davis, her first since 2016’s Confessions Of A Romance Novelist, brings piano-based songs with echoes of Tori Amos mixed with soaring guitar indie pop intensity
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Jane Weaver’s 11th album, Flock
Album review: The Liverpool and Widnes-raised artist returns with a mesmeric and uplifting 11th album that takes a variety of elements - electronica, psychedelia and acid folk morphing into fabulous alternative pop record that really takes flight
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As Days Get Dark, Arab Strap’s seventh album, and their first for 16 years
Album review: Aidan Moffat and Malcolm Middleton’s first album together since 2005 is as brilliant as ever – a mischievous, brooding, blackly humorous, whisperingly sinister and sweary exploration of love, sex, addiction, exploitation and death wrapped in beautiful, poetic music
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Yol, meaning road, is Altin Gün’s third album
Album review: Wonderful third album by the Amsterdam-based Turkish, Dutch, Indonesian and British band who infuse traditional Turkish songbook material with elecro-pop, funk and disco sounds in a way that feels authentic and uplifting
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Katy Kirby’s Cool Dry Place
Album review: Beautiful debut of low-key acoustic simplicity by the singer-songwriter from Texas who is now based in Nashville, with a soft, quiet voice that resonates with understated profundity
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Lael Neale’s Acquainted With Night
Album review: The folk-pop singer’s charming, melancholy LP has a rather beautiful ghostly, disembodied quality, lacking only old ‘78 vinyl crackles, but delicately gorgeous with her clear, distinctive voice, guitar and Omnichord accompaniment
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High time for some the days of disco … SG Lewis
Album review: Aiming to capture a full-on mainstream club and disco feel, the British producer’s new LP mixes light funk and soul flavours that very much borrow from the Daft Punk and Chic cookbook
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