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Liz Lawrence: Peanuts
New album: A classy, clever fourth LP for the British indie singer-songwriter, now signed to Chrysalis, with a tight, stripped back, thrumming sound, experimental at times, and packed also with excellent hybrid tracks spanning funk, pop, indie, folk and rock
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New album: A brilliantly bold, experimental, original third LP by the now south London indie-post-punk trio of Clottie Cream (Lottie Pendlebury), Rosy Bones and Holly Mullineaux, one that bubbles with unusual musical dynamics and lyrics
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Maya Hawke: Chaos Angel
New album: Putting aside the obvious advantages of being the offspring of Hollywood actors Ethan Hawke and Uma Thurman, the 25-year-old Stranger Things actress and singer-songwriter’s third album is packed with gems - witty, kooky and original
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Girl and Girl: Call A Doctor
New album: A vibrant, energetic, wittily candid, jangly indie-garage-rock release about life’s many undulations and problems, particularly mental health issues, by the Australian quartet led by Kai James in their debut LP by Sub Pop
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La Luz: News of the Universe
New album: A fourth studio LP of dreamy, exotic, alluring psychedelia and surf rock by the California quartet fronted by Shana Cleveland, simmering and potent, but made in the dark shadow of a breast cancer ordeal
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Paul Weller: 66
New album: This 17th solo album by the restless, ever-changing stylish mod-rock veteran is one of his mellower, more reflective releases, marking his age, a classic number, and year, distinctively depicted by Peter Blake on the cover art
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rEDOLENT: dinny greet
New album: A striking, engaging alt-pop indie debut by the Edinburgh five-piece with songs dealing with dark subjects from heartbreak to alcoholism, dead-end job to mental health issues, but with a running theme of seeking the brighter side with a title that means “don’t cry” in Scottish slang
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of Montreal: Lady On The Cusp
New album: A new LP of extraordinary experiment and scattershot psychedelic pop kaleidoscopes and lyrical tricks from the eclectic and unpredictably inventive mind of the prolific Kevin Barnes and band from Athens, Georgia
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Billie Eilish and the muted cover for her third LP, Hit Me Hard and Soft
New album: The American superstar and her brother co-writer and co-producer Finneas O'Connell’s third LP, of predominantly soft, muted, low key and tenderly whispered, sighing and delicately style with understated release without advance singles
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Barry Adamson: Cut To Black
New album: The Manchester legendary singer and composer, bass player of Magazine, The Bad Seeds and other bands, returns with a stylish, swaggering, 60s-influenced 10th studio solo LP, including timeless Motown, seductive blues, and vividly noir cinematic hues
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The Lovely Eggs: Eggsistentialism
New album: Lancaster’s loveable DIY rockers Holly Ross and David Blackwell return with another punchy collection of comedy, simplicity, profundity and creativity, psych and punk, but also some old-school synth sounds and some complex emotions
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Jordan Rakei: The Loop
New album: Silky, soulful new work by the falsetto-smooth London-based New Zealand-Australian musician, singer-songwriter and producer with a sophisticated cocktail or perky pop, jazz, and R&B
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Keeley Forsyth: The Hollow
New album: Following 2022’s Limbs, another extraordinary, experimental release by the rich-voiced British singer and actress from Oldham of atmospheric, beautiful, evocative, at times vocalisations
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Rachel Chinouriri: What a Devastating Turn of Events
New album: A very mature and promising debut by the London indie-pop singer-songwriter with a broad range of timbres, moods and dynamics, from breezy pop and rock to soulful, tender acoustic and a title track about a tragedy
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Jessica Pratt: Here In The Pitch
New album: Gracefully ghostly, dream-like, sensual, gentle and deliciously paced, this fourth LP by the American singer-songwriter floats like a perfect timeless acoustic folky boat stirring ripples of wistful emotions, profoundly complex lines and vivid images
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Dea Matrona’s Mollie McGinn and Orlaith Forsythe
New album: Luxuriant genre-spanning rock, pop, country and more in this debut by the Belfast old schoolfriend duo of Mollie McGinn and Orlaith Forsythe, with echoes of artists from Fleetwood Mac’s Stevie Nicks, Shania Twain, HAIM, as well as contemporaries CMAT, and The Last Dinner Party
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Stevie Toddler’s sophomore album, Last Time Forever
New album: So good it garnered two Songs of the Day this year before release, a sophomore LP packed with sublime bass lines, infusions of brass, a unique experimental blend of voice and instruments mixing pop, jazz and classical by the Bristol artist
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Cindy Lee: Diamond Jubilee
New album: One of the most unusual releases of the year – 32 tracks, more than 2 hours, with the style from an indeterminate era, perhaps ghostly love song echoes of 60s girl groups – come delicate and crash-bang electric guitar, percussion and vocals from the glammed-up alter ego of Canadian songwriter, guitarist, and drag performer Patrick Flegel
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Dua Lipa: Radical Optimism
New album: Undeniably mainstream, but ahead of her Glastonbury headline slot, the north London British-Albanian megastar’s third LP is cleverly crafted, classy, catchy synth-pop, channelling funk, disco and Latin grooves about an up-and-down love life
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The Lemon Twigs: A Dream Is All We Know
New album: Almost exactly a year since their acclaimed Everything Harmony album, the New York all-singing multi-instrumentalist brothers Brian and Michael D’Addario return with sparkling selection of originals particularly influenced by the 60s and early 70s, echoing The Hollies to The Beach Boys to Todd Rundgren
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