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Big Thief’s campfire of inspiration
New album: Brooklyn’s Adrianne Lenker, Max Oleartchik, Buck Meek, and James Krivchenia return with a fifth and landmark double album of gorgeous, intelligent, free-flowing songwriting, mixing folk, pop, rock and country
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A Place To Bury Strangers - See Through You
New album: Electro noise rock, progressive gothic post-punk? Whatever the genre label, a striking blast of a new LP by the New York band fronted by Oliver Ackermann now with newer members frenetic drummer Sandra Fedowitz and thrumming bass from John Fedowitz
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EELS: Extreme Witchcraft
New album: Mark Oliver Everett, who always wrestles with personal demons in his music, returns with an album characterised with a sparky upbeat energy, buzzing guitars and pace with often wry, but very catchy numbers
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Cult Leader Tactics
New album: An entertaining novelty release mixing rock, electro-pop and classical by the Former Mansun frontman, in the form of a satirical self-help manual on how to become a complete cult in the music industry or employ Machiavellian tactics in the entertainment industry and beyond
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Silverbacks’ second album Archive Material
New album: Superb second LP by the Dublin-based post-punk art-rock quintet, who with shades of Deerhoof, Gang Of Four, but particularly New Yorkers Strokes and LCD Soundsystem, sharply capturing the crazy, creeping disquiet of the world, especially over the past 18 months
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Elvis Costello’s classic sound on The Boy Named If
New album: Classic Costello, with a vigorous new LP that rolls back the years, recalling all the the sharp, fast, clever punk-pop of the late-70s, 80s and 90s albums with the Attractions, including old friends Steve Nieve on keyboards and Pete Thomas on drums
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Favourite selection part 2.
Favourite albums of 2021 – Part 2: Welcome the second instalment, following Part 1, which can be found here. A huge number of excellent releases, of which again this is just a selection many of which were written during, and about lockdown, but also saw many outstanding voices emerge as well as innovative sounds developed
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Take your pick. Are your favourites here? Also check out Part 2 coming soon.
Favourite albums of 2021, part 1: Another difficult year for everyone, but from soul and jazz, electro-pop the experimental and avant-garde, an outstanding one for music releases, perhaps in part because out of diversity comes great art. Also feel free to explore Part 2, which is now available to view here.
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Neal Francis’s In Plain Sight
New album: Stirringly upfront new rock-pop album by the Chicago singer-songwriter and pianist about honesty, resilience and sobriety following a big relationship breakup following his 2019 album, Changes
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New perspective: Aeon Station’s Observatory
New album: Beautiful debut full LP by the solo moniker of The Wrens' Kevin Whelan with contributions from his band mates, these lockdown-inspired, highly emotive songs take the long view, filled with recriminations, guilt, but also hope for the future
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New album: Previously unreleased due to label wrangles, and part of the Brilliant Adventure (1992-2001) huge boxset, this set of revisited 60s songs recorded in 2000, offers fine evidence of Bowie joyfully reworking his past a late-90s swagger
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Richard Dawson and Circle’s collaborative album Henki
New album: An entrancing, uplifting, brilliantly crafted and epic-feel mix of folk, prog and krautrock through tales of seeds, botany, history and myth by the Newcastle artist in collaboration with the Finnish metal band in a fabulous album unlike any other in 2021
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Deap Vally’s Lindsay Troy and Julie Edwards
New album: Full of feisty swagger, and rich, fuzzy guitar grit, the Los Angeles pair of Lindsay Troy and Julie Edwards return for a fourth album of rock-rich irony, fun, sweary sneering, sex-talk, anger and meaty riffs, and one of best yet
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They Might Be Giants’ John Flansburgh and John Linnell
New album: New York’s original alt-rockers John Flansburgh and John Linnell return with their 23rd studio album of clever, whimsical, absurd and amusing songs, part of a project with an 8-track tape, another EP, and a bumper book of lyrics set in concrete poetry
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A gentle hit? Elbow’s Flying Dream 1
New album: Variously written by members isolated during lockdown, the Manchester band’s ninth LP is a study in gentle, minimalism, filled with beautiful lyrical images and tender moments after 2019’s angrier, edgier, proggy Giants of All Sizes
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Vibrant joy: The Bug Club’s Pure Particles
New album: A fantastic, punchy short album of nine songs by the indie trio from South Wales with vibrant, fresh, Jonathan Richman-style panache, witty lyrics, dynamic guitar riffs and driving rhythm that is all infectiously toe-tapping
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Radiohead’s KID A MNESIA
Reissue albums: An anniversary edition of two landmark albums, Kid A (2000) and Amnesiac (2001) combined, but with a difference, with added tracks and alternate versions, harking back when the band expanded from rock into more experimental, krautrock and electronica territory
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The full Sweats with Nathaniel (centre)
New album: Emotionally powerful, muscular rock-country-soul by the Denver singer-songwriter and band has strong echoes of Hurricane-era, Dylan, northern soul, early Van Morrison, as well as with oodles of swagger, sweat, grit, slide guitar, meaty brass, screams and sorrow
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Snail Mail’s Valentine
New album: Second LP by Lindsey Jordan, following 2018’s debut, Lush, broadens her folk-indie-rock brush with a bigger range of sounds and synths, as well as heartbreak, exchanging some of her initial musical intimacy perhaps to reach a broader commercial appeal
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Something to cling to: Penelope Isles’ second album Which Way To Happy
New album: A bright, sparkly blend of wistful, ethereal dream pop, space rock, some French disco and electronica by Brighton’s core of siblings Jack and Lily Wolter and a fine follow-up to the 2019 debut LP Until the Tide Creeps In
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