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The sleeve for LCD Soundsystem's debut first single
Song of the Day: After our previous Eric B. and Rakim number, Know The Ledge, it's a different, double-edged song, and a debut by Brooklyn's James Murphy and co satirising the fear of not staying in vogue
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Parquet Courts – Wide Awake in 2018
Song of the Day: Yesterday's Bodega song was a cri de coeur against passivity, today's by another great New York band is the opposite - capturing the reactionary side of our fractious times in a two-part number
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Bodega
Song of the Day: It's a question many ask in the current state of world affairs, but this terrific song by the New York band manages to pose political questions and still be enormously engaging in both music and lyrics
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Flat Worms: playing fast as greyhound
Song of the Day: After the exuberant joy of The Damned's New Rose, we move four decades forward to an equally blistering sound from the LA post-punk trio with a song that has a similar theme
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The Libertines in 2003
Song of the Day: Possibly the shining pinnacle of the indie rock quartet's repertoire this 2003 never appeared on an album, but a searing anthem to a refreshing new postpunk English sound
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Andy Partridge and Colin Moulding on the inside cover of Wasp Star (Apple Venus Volume 2).
Song of the Day: To brighten up a grey Easter weekend, two upbeat, romantic and typically eccentric numbers written by Andy Partridge from t 2000 album Wasp Star (Apple Venus Volume 2)
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David Byrne
Song of the Day: That's not my beautiful house! Or is it? Today we may find ourselves comparing two sublime songs, two houses, one brand new and a classic from the Talking Heads Remain in Light album of 1980
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Mark E Smith 1957-2018
Song of the Day: With the sudden news of the passing of Mark E Smith, how can we choose a song to exemplify this force of nature, this difficult genius, this guttural great, this prince of post-punk lyricists inspired by HP Lovecraft, William Blake, Wyndham Lewis, Gene Vincent and krautrock
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Unstoppable … !!! work up a sweat on stage
Song of the Day: It is hard to find any material more energising than the music of the New York dance-postpunk band originally from Sacramento, California, who have been delivering blistering live performances for more than 20 years
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Deer Tick
Song of the Day: Following on from our hooves, animal, and body parts band theme, we turn to two very contrasting tracks, from the versatile Rhode Island band who have variously been described as anything between alt-country and punk
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Look out, it's the Hare and Hoofe …
Song of the Day: Scampering on from yesterday's Beth Jean Houghton and her Hooves, let's indulge in a bit of Sunday silliness in the beautiful shape of more fast moving animal feet, this Folkestone-formed five-piece
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Patti Smith, 1975
Song of the Day: "Three-chord rock merged with the power of the word" is how the Chicago-born New York singer and poet described the 1975 debut album that galloped on the music scene with such impact, combining poetry with early punk and krautrock
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The Transplants
Song of the Day: Following yesterday's Fall number, a track from a very different origin but with its own brand of shouty catchiness, and a superb piano hook. This 2003 release from Tim Armstrong (Rancid), Rob Aston (Death March) and co from their first eponymous album, and bizarrely, was used on a Garnier Fructis TV commercial
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The Fall, with one of many of Mark E Smith's lineups.
Song of the Day: So many to choose, but few match this one for sheer catchy, direct, repetitive brilliance. From 1999's The Marshall Suite, and co-written with Canadian guitarist and keyboard player Julia Nagle, as riffs and choruses go it's up there with the very best
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DUDS' new album Of A Nature Or Degree
Song of the Day: Post-punk pop meets prog meets jazz? Manchester's cutting-edge northern lathe has turned out another bunch of true originals, bringing short-sharp songs of jagged guitar, percussion, cornet, and vocal
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