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David Bowie in Nicolas Roeg’s The Man Who Fell to Earth, music by Stomu Yamashta
Song of the Day: With the passing of two great directors, Nicolas Roeg and Bernardo Bertolucci, a beautiful piece of music from a film by the former, starring David Bowie but with music by the Japanese composer
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From the album cover of The Soft Machine (1968), featuring Robert Wyatt, Kevin Ayers and Mike Ratledge
Song of the Day: After yesterday's Ray Davies soaring sleep song performed by Marion, a more psychedelic take on different levels of consciousness by those Canterbury pioneers from their first album of 1968
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Nico. Teutonic stony sadness.
Song of the Day: After Sibylle Baier yesterday, a better known, but in her own way, equally mysterious German singer, best recognised in the Velvet Underground, but here from her own 1967 solo album, Chelsea Girl
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Sixto Rodriquez in the early 70s
Song of the Day: After yesterday’s Vashti Bunyan, another inspirational story of obscurity to long-sought recognition fro the mysterious Detroit-born Mexican immigrant singer-songwriter, made famous in the documentary Searching For Sugar Man
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Old and yet new: Trembling Bells album cover for 2018's Dungeness
Song of the Day: Following our previous track by Bonnie 'Prince' Billy, new songs from the Scottish-formed folk band who collaborated with him on the 2012 album The Marble Downs, but two here from their new LP Dungeness
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The sleeve for LCD Soundsystem's debut first single
Song of the Day: After our previous Eric B. and Rakim number, Know The Ledge, it's a different, double-edged song, and a debut by Brooklyn's James Murphy and co satirising the fear of not staying in vogue
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From the cover of Kasabian's West Ryder Pauper Lunatic Asylum
Song of the Day: After yesterday's Parquet Courts number about an edgy temper, another about inflammatory anger by the Leicester indie rockers from their 2009 album West Ryder Pauper Lunatic Asylum
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I Monster
Song of the Day: To go with the flowering of British weather, let's dream to some electronic psychedelia by the Sheffield-based pair of Dean Holder and Jarrod Gosling from their 2003 album Neveroddoreven and its sampled origins
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Minnie Riperton in 1971
Song of the Day: After our previous Manchester late-80s dance tracks, when flower power returned with a new chemical twist, we hark back to another petal-infused and influential song by the vocalist linked to our previous Rotary Connection selection
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The 1990 cassette single
Song of the Day: A nimbus-rich 1990 song much loved by anyone of a certain age who went out during a particular era - the dance and club scene of the late 80s and onwards, but who are the voices and samples within it?
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Rotary Connection, featuring Minnie Riperton and Charles Stepney (right).
Song of the Day: How to move from bluesy road tunes to this elaborate jazz-soul number at the peak of the psychedelic movement? Partly because this band also backed Howlin' Wolf and Muddy Waters
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Canned Heat
Song of the Day: Leaping back out of Springsteen's Pink Cadillac, we continue our road journey with two 1968 hits by the Los Angeles blues band – a cover of a cover a cover – and also go back down the dusty track to see where it all came from
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Syd Barrett
Song of the Day: Continuing our sequence of songs around the theme of mental health, the oddball, hallucinogenic opener from the last solo album by the founder of Pink Floyd, released in 1970
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The Move, featuring the moustachioed Roy Wood, in 1968.
Song of the Day: Moving on from Johnny Cash's Hurt, we return to an upbeat, colourful song about mental health problems, penned by the eccentric Roy Wood, who later of course, became a hirsute star of Electric Light Orchestra and Wizzard
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Van Der Graaf Generator in 1970
Song of the Day: With yesterday's David Byrne tracks being two of several by him with a house theme, today we visit another songwriter who uses them as metaphor extensively – Van Der Graaf Generator frontman Peter Hammill
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Peter Gabriel, aged 23, in the early days of Genesis.
Song of the Day: Moonlight, eccentricity and experimental obscurity have very much been the direction of SOTD recently, and so it's time to unashamedly progressively rock on to Peter Gabriel's old band at their finest – when he still led it
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Over the moon and far away: Can in 1973 and their cover for the album Soon Over Babaluma
Song of the Day: Continuing the lunar theme, and extending to the outer limits of experimentalism after Moondog and Captain Beefheart, the sequence also ties in with the German band also highly influential on the late Mark E Smith
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Moondog in Manhattan
Song of the Day: After Captain Beefheart, could there be any musical figure more influential, eccentric, strange and innovative? Louis Thomas Hardin, aka the Viking figure who for years silently stalked New York's 6th Avenue, is a strong contender
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Captain Beefheart, aka Don Van Vliet – musician, artist, visionary.
Song of the Day: With the recent passing of The Fall's Mark E Smith, and all the songs, tributes and stories that have followed, it now seems only appropriate to follow up with music Smith loved by one of his major influences
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Big Demis and friends: Aphrodite's Child back in the day
Song of the Day: Why the hell not? Let's delve deep into darkest psychedelia and prog-rock, do deep in fact, that we go Greek, in the company of Demis Roussos before be became a tent-wearing behemoth solo artist, and Vangelis Papathanassiou before his film score fame
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