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Melt by Blank Gloss
New album: The duo of Patrick Hills and Morgan Fox from Sacramento, California release a set of serene pieces that capture wide American landscapes and skies with beat-less reverberating ambient guitar, violin, piano and and synths
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Snapped Ankles in the urban forest with their third LP
New album: An excellent third LP by the east London be-leafed electro-krautrock-dance-pop band bursts with vigour and ideas, themed and fuelled by a troubled world coming out of lockdown in this folllow-up to their last, Stunning Luxury
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L’Rain’s second album - Fatigue
New album: This second album by the Brooklyn-born multi-instrumentalist and singer Taja Cheek is an entrancing mix of keyboards, synths, and haunting vocals, a woozily wonderful and unique style of dream-like delicacy
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Daniel Avery: Together In Static
New album: This dynamic, evocative new LP by the Bournemouth electronica artist comes exactly a year after his surprise album Love + Light
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John Grant: Boy From Michigan
New album: The American’s newest LP is his most autobiographical to date, filled with trademark electronica sounds, but an overall mellower sound than previous, smoothly produced by Cate Le Bon, coloured by childhood recollections
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The third album by Hiatus Kaiyote
New album: This wonderful third album by the Melbourne band is a free-flowing beauty - like a butterfly garden of jazz, soul as well as Brazilian influences from time spent with veteran composer Arthur Verocai and Amazonian indigenous Varinawa communities
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LoneLady - standard bearer for brilliant electro-pop
New album: A wonderful new LP by Manchester electro-pop artist Julie Campbell, created in the 18th-century Somerset House shooting range studios, with sparkling numbers that perfectly combine influences from Cabaret Voltaire to Neneh Cherry
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Garbage are back with their first album for five years
New album: Shirley Manson and co return with their seventh, a double LP filled with banging cyber-punk anger, dark, seething, atmosphere, politics and personal battles. It’s one of their best since the 90s and stylistically includes echoes of Roxy Music, Depeche Mode, New Order and The Human League
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Loraine James’s third album, Reflection.
Album review: Restlessly imaginative, with arrhythmic oddness, jittery beats, sounds and disembodied voices, spoken word and trap-hop, this experimental electronica album by the London producer by is an candid expression of the mind in 2020 lockdown
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Wink is Chai’s third studio LP
Album review: Cheeky, squeaky and quirky pop from the Japanese quartet of Mana, Kana, Yuuki, and Yuna from following their previous LPs Punk and Pink which were much more, punk, Wink has a theme of feeling uninhibited and free
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Sounds of an approaching apocalyse - Gary Numan’s Intruder
Album review: With his trademark sci-fi dystopian sound, the electro-pop veteran, who has rekindled his career of late, returns with doom-laden concept album about climate change seen from the point of view of Earth itself
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Gruff Rhys – Seeking New Gods
Album review: This seventh solo album by the Super Furry Animals frontman set out as conceptual biography of East Asian active mountain volcano Mount Paektu, but this piano-led set of songs with a 70s psych-pop grandeur also has personal elements, and is produced by Beastie Boys producer Mario C
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Sophia Kennedy’s Monsters - impossible to control or define
Album review: An unholy, beguiling and at times mischievously brilliant mixture of pop, Tin Pan Alley, vintage showtunes, hip hop, abstract electronica and horror film culture, the Baltimore-born, Hamburg-bred artist is just as impossible to define as to not enjoy
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Julia Stone’s Sixty Summers
Album review: Third album leaning towards quirky, intelligent and inventively experimental pop by the artist from Sydney with oodles of brass, drums and funk guitar and electronica – by Annie Clark aka St Vincent and Thomas Bartlett
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Poetic ends: friends Marianne Faithfull with Warren Ellis
Album review: Alongside music by the Australian composer and musician, the iconic singer recites well-known poems from Coleridge, Keats, Wordsmith and more, with addition sounds by friends Nick Cave, Brian Eno and cellist Vincent Ségal
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Art D’Ecco’s In Standard Definition
Album review: A stylish and charismatic glam-rock electro-funk-disco pop second album, echoing everything from early 70s Bowie or Bolan’s T-Rex to 80s synth New Romantics, by the wonderful Canadian androgynous singer
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Caoilfhionn Rose
Album review: Sounding like a sunlit landscape of whispering grasslands, this beautiful mix of folk, jazz, ambient electronica and gentle psychedelia comes with the pure, soft, soaring voice of the Manchester singer-songwriter
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Matthew E. White and Lonnie Holley
Album review: This first collaborative release between the Virginia songwriter, producer, and founder of Spacebomb Records and the Alabama sculptor is an experimental fusion of jazz, funk, electronica and exclamatory spoken-word observation
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La Femme’s third LP
Album review: The French band’s third album is an attractive, energetic mix of classic vintage sounds from 60s candy floss pop to 80s synth new wave, instrumentals that could TV themes, whispery and sensual hip hop, disco and dash of rave
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OH NO …
Album review: This 12th album by the Californian experimental electro-pop, postpunk band led by Jaime Stewart may be the most unusual of year, an oddball set of diverse duets with many guests that sometimes has the melodramatic quality of later Scott Walker
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