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Alynda Segarra
New album: Wonderfully engaging eighth LP by New Orleans’ Alynda Segarra of “nature punk” electronica and lo-fi indie, with songs variously intimate, grand, sensual, and emotionally powerful, taking a hands-on, eco-aware vivid walk through our planet
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Spoon’s 10th
New album: A solid 10/10 for the band from Austin, Texas, who, with this 10th studio album of 10 songs in 25 years and their familiar alt-blues rock sound remains consistently strong and unmistakably them, even when opening with a Smog cover
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Animal Collective’s 11th album Time Skiffs
New album: Two decades after their first, the 11th album by the American alt-pop experimentalists has a running theme of time passing, with a quieter, slower more lo-fi accessible approach, gentle intricate sounds, even those echoing wind, water and bamboo
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Mitski’s Laurel Hell
New album: The Japanese-American indie artist Mitski Miyawaki’s newest LP is her most mainstream pop release to date, with big 80s piano ripples and echoes of Abba and even Hall & Oates, but also brilliantly laced with dark images and emotions laid bare
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Pointed lyrics: Yard Act, featuring frontman James Smith
Debut album: Following various singles including Fixer Upper, a set of newer sharp, funny, talky, wordy and witty post-punk-funk debut LP by the Leeds quartet, filled with ironic observation about Britishness, echoing some delivery elements of the Fall and Sleaford Mods
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Spector’s Now or Whenever
New album: The third LP and first since 2015 for the London indie band presents a more thoughtful, melancholy, and often slower set of songs than their more youthfully exuberant previous releases, but includes reflective, strong material
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The prolific Deerhoof’s latest as ever original LP: Actually, You Can
New album: Released late in 2021, San Francisco indie-prog experimental quartet’s 18th studio LP is a frenetic, pace-changing, daredevil record, challenging social and political norms, laced with interwoven and blistering guitar, bass, and drums alongside Satomi Matsuzaki’s distinctive vocals
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Favourite selection part 2.
Favourite albums of 2021 – Part 2: Welcome the second instalment, following Part 1, which can be found here. A huge number of excellent releases, of which again this is just a selection many of which were written during, and about lockdown, but also saw many outstanding voices emerge as well as innovative sounds developed
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Take your pick. Are your favourites here? Also check out Part 2 coming soon.
Favourite albums of 2021, part 1: Another difficult year for everyone, but from soul and jazz, electro-pop the experimental and avant-garde, an outstanding one for music releases, perhaps in part because out of diversity comes great art. Also feel free to explore Part 2, which is now available to view here.
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Lunar Vacation’s debut album
Debut album: Joyously fresh, freewheeling indie pop with a dash of shoegaze and psychedelia in this debut LP by the four-piece from Atlanta, Georgia, with influences from Rilo Kiley to Tame Impala, Alvvays and Slow Pulp
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New perspective: Aeon Station’s Observatory
New album: Beautiful debut full LP by the solo moniker of The Wrens' Kevin Whelan with contributions from his band mates, these lockdown-inspired, highly emotive songs take the long view, filled with recriminations, guilt, but also hope for the future
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Blind Date Party album
New album: The brilliant veterans of darkly beautiful lo-fi and killer lyrics release a 2020-21 lockdown collaborative 19-song compilation of covers and reworked songs with just as many guests, including songs by Leonard Cohen, Yusuf Islam and Billie Eilish, as well as many Drag City labelmates
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Julie Doiron’s I Thought of You
New album: Cracking new LP by the influential 49-year-old Canadian indie singer-songwriter who has released multiple album under her own name, various other monikers, in French and Spanish, here with catchy, melancholy and moving songs
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Deap Vally’s Lindsay Troy and Julie Edwards
New album: Full of feisty swagger, and rich, fuzzy guitar grit, the Los Angeles pair of Lindsay Troy and Julie Edwards return for a fourth album of rock-rich irony, fun, sweary sneering, sex-talk, anger and meaty riffs, and one of best yet
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Vibrant joy: The Bug Club’s Pure Particles
New album: A fantastic, punchy short album of nine songs by the indie trio from South Wales with vibrant, fresh, Jonathan Richman-style panache, witty lyrics, dynamic guitar riffs and driving rhythm that is all infectiously toe-tapping
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Radiohead’s KID A MNESIA
Reissue albums: An anniversary edition of two landmark albums, Kid A (2000) and Amnesiac (2001) combined, but with a difference, with added tracks and alternate versions, harking back when the band expanded from rock into more experimental, krautrock and electronica territory
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Pip Blom’s second album Welcome Break
New album: The second album by the Amsterdam indie quartet continues their breezy, upbeat style, but with double-edged humour, riffing on pandemic lockdown but also on the brand name of British motorway services, familiar to any band touring
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No rush: Courtney Barnett’s fourth LP
New album: There’s no rushing the Australian indie singer-songwriter in style or substance, and this attractively laid-back new LP is relaxed in pace, filled with gentle, sometimes melancholy lyrics, many of which seek reconciliation, healing and patience
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Snail Mail’s Valentine
New album: Second LP by Lindsey Jordan, following 2018’s debut, Lush, broadens her folk-indie-rock brush with a bigger range of sounds and synths, as well as heartbreak, exchanging some of her initial musical intimacy perhaps to reach a broader commercial appeal
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Afflecks Palace: Spirit of ‘89
New album: Spirited, uplifting debut by the Manchester indie quartet named after the legendary market stall building with a style very much echoing the heydays of baggy ‘89 Stone Roses, complete with jangling guitars, stop-start sections and wistful, upbeat harmonised vocals
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