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LIFE: North East Coastal Town
New album: A celebration of their home city of Hull by the quick-witted, passionate indie post-punk band in a set of songs filled with humour, anguish and anger, but also a love letter to the area, and even all instruments played were locally bought
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Chopper by Kiwi Jr
New album: Third LP in three years after Cooler Returns and Football Money by the four-piece indie band from Toronto, with wistful, melancholy, carefully observed flighted numbers packed with images from tales of corrupt mayors, Kennedy curses, sex tapes, and deer rifles
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Max Pope: Counting Sheep
Debut album: Smooth, finely crafted, lyrically thoughtful fusions of funk, pop, bossa nova, blues, jazz and rock with a cleverly summer, lazy understated feel by the 27-year-old singer-songwriter from south London and Brighton
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Tender and low key: Florist by Florist
New album: After 2019’s Emily Alone when Brooklyn singer songwriter Emily Sprague recorded the LP on her own, the band four-piece reunite for a beautiful lo-fi indie folk 16-track album of tenderness, rough edges, woozy sounds and rainy porch acoustic
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Gemma Rogers’ debut album No Place Like Home
Debut album: Variously compared to Kirsty MacColl, Ian Dury, Lily Allen and more, the London post-punk indie artist’s debut LP is a packed with own authentic style of witty, talky, mischievous lyrics and catchy melodies from the perky to wistfully emotional.
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Katy J Pearson’s second album, Sound Of The Morning
New album: The Bristol singer’s second album, packed with strong numbers, sees her developing her range from Americana and country styles to indie and synthpop, moving from the tender to the uptempo, her voice at times echoing the voice of Stevie Nicks
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Wu-Lu’s debut album Loggerhead
Debut album: A strikingly alternative and genre-defying release by the south London producer and multi-instrumentalist Miles Romans-Hopcraft with influences and echoes from grunge to grime, trip hop, electronica to jazz, dark 80s Factory Records era, Tricky to DJ Shadow to Slipknot
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Laura Veirs comes out of a darkness
New album: Sensitive, quirky, melancholy, intimate, candid, and wonderfully beautiful folk-pop by the Portland singer-songwriter dappled with acoustic instruments and arresting lines is her 12th, but first LP after splitting from her husband and longtime producer
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Art D’Ecco returns with a fourth album and a new look
New album: A witty title for a follow-up album by the Canadian artist after 2021’s breakthrough third LP, Standard Definition, with further fabulous fusion of 70s glam, 80s post-punk, and perfect original pop blend of Sparks, 80s Bowie and Ezra Furman
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Cola: Deep In View
New album: Thrumming, knotty, catchy, clever, crafty, stop-start indie post-punk with an occasional glimmer of glam-rock by the trio of former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums) with this debut album
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Soccer Mommy’s third album: Sometimes, Forever
New album: Richly textured indie, shoegaze and pop by Nashville’s 25-year-old Sophie Allison, here with her third album that contains the dark, world weary, but also tuneful and uplifting material, given extra depth by producer Daniel Lopatin aka Oneohtrix Point Never
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Hercules & Love Affair: In Amber
New album: Andy Butler and friends return with a dark, powerful new LP that in comparison to previously is less dance music, more contemplation of serious issues, featuring again the distinctive countertenor of Anohni, but also percussion by Budgie of Siouxsie & The Banshees
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Foals return with the uplifting reset album Life Is Yours
New album: Now a three-piece, frontman Yannis Philippakis, drummer and Jack Bevan and rhythm guitarist Jimmy Smith return with a very danceable, funky and 80s indie pop-inspired single, produced by Dan Carey
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Sinead O Brien: Time Bend and Break The Bower
Debut album: After a string of singles such as Limbo and A Thing You Call Joy, the Irish indie poet’s debut album emboldens her style of strikingly esoteric lines and images backed a mix of guitar, drums and electronica, with a distinctively lingering talking/semi-sung delivery
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Michael Head’s latest album
New album: The veteran indie singer-songwriter from Liverpool’s latest LP is filled with strong, stirring numbers that mix the jangly sound of the English north-west with US west coast Byrds, with 12 character-based songs from ‘boulevards of fractured dreams’ inspired by F Scott Fitzgerald
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Horsegirl
Debut album: Warmly engaging debut of shoegaze from the Chicago indie-rock trio of Penelope Lowenstein (guitar, vocals), Nora Cheng (guitar, vocals), and Gigi Reece (drums) in this album produced by John Agnello (Dinosaur Jr., Sonic Youth)
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Wilco’s double album, Cruel Country
New album: With a double-edged title referring to both style and content, the Chicago band return with a strong, 21-track double album of country-edged music brimful with fine melodies, melancholy but sharply pointed lyrics
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Angel Olsen’s sixth album, Big Time
New album: Majestic, slow-paced and emotionally powerful, an outstanding country-tinged dark folk dream-pop sixth LP by the American singer-songwriter inspired by liberation and grief – coming out to her aged parents in 2021 very shortly before their deaths
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Tess Parks
New album: After a period of stopping music for painting, the Toronto-born, London-based artist with a distinctively deep, gravelly voice returns with a strong set of dark, shoegazey, woozy indie with a whirling dervish of intertwining sounds
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Porridge Radio’s sixth album (including early self-released LPs)
New album: Already a sixth LP in as many years by the Brighton-formed indie band fronted by Dana Margolin, packed with raw, heartbreak, candid emotions, sparse guitar and organ, and the distinctive use of repeated phrases to drive feelings home
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