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Sam Fender’s second LP Seventeen Going Under
New album: Hugely popular, especially after his 2019 debut Hypersonic Missiles, the 27-year-old singer-songwriter from North Shields builds on this with further Springsteen-style huge choruses and sax-decorated melodies and Strokes turns, but now with edgier, more personal lyrics
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Lala Lala’s I Want The Door To Open
New album: Largely languid, mellow sounding and alluring indie from the London-raised Chicago-based songwriter Lillie West in her third studio album exploration of persona and presence with experimental textures of voice and instruments
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Life of Mammals, the second album by Museum of Love
New album: Second album by the New York duo of drummer and founding LCD Soundsystem member Pat Mahoney and singer Dennis McNany, aka Jee Day in a work that builds beautifully in that distinctive DFA style of art rock and dance music
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The ninth album by Pond
New album: No surprise that this is the ninth album by the Australians psychedelic rock and pop band, a dynamic release with a wide variety of styles, intelligent, atypical lyrics, passionate delivery and wonderful unpredictability
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New album: The Welsh trio’s 14th studio album is their first number 1 since 1998, contains their classic sound, defiant, power-rock melancholy and overt politics, but also a rippling piano sound that echoes some of Abba’s big hits
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Run to the record shops, and then to the hills, with Iron Maiden’s new apocalyptic album
New album: Epic, apocalyptically double, packed with changes of pace and power, elements of folk and prog, and filled with references to the ravages and ironies of history, ancient and modern, the time is ripe to indulge in the quintessential British metal band’s 17th studio album
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Goat’s for glory
New album: This welcome first LP helping of primal psych rock from the Swedish band since 2016’s Requium is a stirring, hallucinogenic cauldron compilation of rarities, standalone singles, B-sides, and digital edits and two brand new tracks
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Tropical Fuck Storm’s back for a third helping
New album: The third album by the Melbourne quartet of two ex-Drones and more is a magnificently anarchic mix of thrummingly clever noise and art-rock, postpunk, and wittily inventive, sweary, crafted chaos
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Deafheaven’s fifth studio album Infinite Granite
New album: Better know as a post-black metal band, San Francisco’s George Clarke, Kerry McCoy and co return with an LP of soaring, ethereal shoegaze rock – jangling guitars and clean vocals that turn the growl into smooth and dreamy
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The Killers’ Pressure Machine
New album: An atypical LP from the American stadium fillers eschews the sometimes nonsense (“are we human or are we dancer”) air-punching pop-rock anthems for more reflective material inspired by Brandon Flowers’ Utah childhood
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Willie Nile’s The Day The Earth Stood Still is his 14th studio album
New album: The veteran 73-year-old rocker from Buffalo, NY is a lesser known treasure, and returns with more sharp, vivid political lyrics that open here comparing New York streets during Covid to a sci-fi alien movie, and many unashamed nods to Springsteen, Dylan, The Who, Mellencamp and The Beatles
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Reflectiive: Jade Bird’s Different Kinds of Light
New album: The 23-year-old English singer-songwriter and BRIT school graduate’s second LP after 2019’s debut is a strong selection of numbers influenced by Americana and more from Fleetwood Mac to PJ Harvey, Blur to various shades of country rock
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Bleachers - aka Jack Antonoff, doing his best Springsteen look
New album: Super pop producer Jack Antonoff releases a very personal album inspired by his New Jersey upbringing, and features his hero and big influence – Bruce Springsteen – as well as guests Lana Del Rey and string arrangements by St Vincent
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Torres aka Mackenzie Scott’s fifth album
New album: Strong melodies and witty lyrics mark this powerful set of grunge-pop songs by the American indie rocker Mackenzie Scott, whose work has echoes of The Breeders and as well as her British counterpart Du Blonde
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Bobby Gillespie and Jehnny Beth: Utopian Ashes
New album: The Primal Scream frontman and former Savages singer collaborate in an unusually mellow set of heartbreak numbers that recall the country rock duos between Gram Parsons and Emmylou Harris
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Seventh heaven: Modest Mouse’s The Golden Casket
New album: Sharp, witty, and highly entertaining, this dynamic new LP American indie rockers Isaac Brock and co with post-punk, psychedelia and pop on subjects from degradation of our psychic landscapes and invisible technology and fatherhood
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Garbage are back with their first album for five years
New album: Shirley Manson and co return with their seventh, a double LP filled with banging cyber-punk anger, dark, seething, atmosphere, politics and personal battles. It’s one of their best since the 90s and stylistically includes echoes of Roxy Music, Depeche Mode, New Order and The Human League
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Sleater-Kinney’s surviving members Corin Tucker and Carrie Brownstein
Album review: This fine 10th studio album by Tucker and Brownstein was recored in Portland the summer of 2020 and rails against a backdrop of social unrest, devastating wildfires, and pandemic with a sound that has echoes of Steely Dan to Talking Heads and B-52s
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Billy Gibbons - still drivin’ onwards
Album review: The 71-year-old veteran ZZ Top frontman returns with his third solo LP of catchy, drivin’ dirty blues rock with innuendo inspired by motors and femmes fatales, often sounding much like his original band, and better on the faster numbers
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Wolf Alice - Blue Weekend
Album review: Grasping mainstream pop and rock with cleverly constructed styles and influences, a shrewd, highly polished new LP from the London indie band 2018 Mercury prize winners, jumps from soft, whispery piano ballads to big guitar bangers
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