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Nick Hakim
Song of the Day: A woozy, chilled melancholy that slowly builds into a beautifully floating portrait of personal tragedy. The new song by the Brooklyn-based producer, singer and multi-instrumentalist is an ode to a late friend and “a reminder to check on your loved ones”
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Expanded cover of Lightning Orchestra’s forthcoming album Source and Deliver
Song of the Day: A profound and glorious piece of cosmic, psychedelic, afro-jazz-funk by the collective based in Atlanta, Georgia, inspired by the sounds of Fela Kuti, Sun Ra, Tony Allen, Talking Heads and Jimi Hendrix
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Cover of Wilma Archer’s album A Western Circular
Song of the Day: Taken from the British producer and multi-instrumentalist’s album, A Western Circular, this wonderfully eclectic fusion of classical and jazz intertwined and MF Doom’s unmistakable rapping, tells a tale of a New York drug dealer
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Jocksrap’s Taylor Skye and Georgia Ellery
Dr John, the Night Tripper, aka Mac Rebennack, 1941-2019
Song of the Day: A song-based tribute to the sadly departed New Orleans great, aka Mac Rebennack, the rich-voiced, voodoo-style Mardi Gras feather-wearing pianist, guitarist and singer who spanned genres with colour and charisma
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Miles Davis’s In A Silent Way, recorded 18 February 1969
Album of the Day: A special edition to mark the anniversary of a unique masterpiece recorded 50 years ago today on 18 February 1969 at New York’s CBS 30th Street Studio. Davis’s contribution was small, but key, fitting perfectly alongside the work of other greats
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Ella Fitzgerald
Song of the Day: After yesterday’s She Drew The Gun songs, let’s go back to an original Cole Porter number from 1934, which contains that shot line of defiance and revenge, a tragic tale about a society woman who simply would not take it anymore
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Coda for a stellar career? David Bowie’s Blackstar
Song of the Day: Exactly three years ago Bowie released his final album, on his birthday, and two days before he died. Was that opening track a coda for a stellar career, referencing a life’s work, his demons and impending death?
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Jeannie Seely
Song of the Day: After powerful new songs by Julia Jacklin about the body and personal space, a classic number from the 1960s that sung first by the Titusville performer with versions by other stars
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Tim Buckley
Song of the Day: From one nighthawk, Tom Waits, to another American singer-songwriter - father to Jeff, and here singing about his early career when he worked as a New York cab driver, picking up a crazed customer
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Sweet Smell of Success (1957), starring Burt Lancaster and Tony Curtis, with a equally sharp Bernstein score
Song of the Day: More outstanding film theme music, this time with three contrasting examples from the New Yorker with a huge, award-winning repertoire, reaching deep into the American and British psyche
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Jack Nicholson and Faye Dunaway in Chinatown (1974)
Song of the Day: Moving on from Britain’s John Barry, two pieces of work from the highly versatile US composer and conductor here showing contrasting styles that equally express the dark and disturbing
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Now listen to me … Michael Caine is accompanied by one of John Barry’s finest soundtracks
Song of the Day: Completing a Michael Caine leading role trio, the beautiful, haunting theme composed by one of film and TV’s all-time great composers who is best known for the James Bond films
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Original record sleeve from the Alfie soundtrack
Song of the Day: From one jazz giant to another, this time led by tenor saxophone, with Sonny Rollins’s superb soundtrack composition to another Michael Caine film, 1966’s tale of that cheeky Cockney lothario
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Miles Davis in 1958
Song of the Day: Returning to film scores but remaining on the jazz genre, a sublime example of Miles Davis in his early modal style, from his 1958 soundtrack to Louis Malle’s adaptation of a crime novel, starring Jeanne Moreau
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Oscar Peterson and friends
Song of the Day: Continuing from yesterday’s jazz ode to freedom by Billy Taylor, with a version by Nina Simone, let’s move onto another piano great, and an instrumental number from 1963 that definitely echoes it
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Billy Taylor (1920-2010) with his trio
Song of the Day: Moving on to another TV theme, best known for the original Barry Norman BBC TV film review programme that began in 1972, this wonderful jazz piano piece was originally associated with the 1950s civil rights movement
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John Schroeder
Song of the Day: After three belters from Quincy Jones, today let’s move on to full fat funk TV and movie orchestra sounds from the 60s and early 70s, with tracks rarely recognised, but whose still hits home instantly
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Get Carter (1971) starring Michael Caine, with soundtrack by Roy Budd
Song of the Day: Resuming a thread of film soundtrack music that transcends their original source - this time the classic thriller starring Michael Caine and directed by Mike Hodges from 1971
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Bullitt (1968)
Song of the Day: Continuing the funk-orchestral movie-theme thread, another colossus of the genre, the Argentina-born American composer and conductor famous for so many outstanding film and TV soundtracks
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