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Kit Sebasian’s new album New Internationale is out in September via Brain Feeder Records
Song of the Day: Stylish, clever, eclectic new single by the French-Turkish London-based duo of Kit Martin and Merve Erdem about the difficult immigration experience and fusing the influence of Azerbaijani music with an old Italian analog synth
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Father John Misty’s Greatish Hits: I Followed My Dreams and My Dreams Said To Crawl, out on Bella Union
Song of the Day: With a rich variety of allegorical and cultural references, Josh Tillman returns with a sublime piece of timelessly Dylan-esque, catchy, witty, smooth balladic alt-country pop, and heralds his compilation album Greatish Hits: I Followed My Dreams and My Dreams Said To Crawl
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Jorja Smith - High
Song of the Day: The silky-voiced singer-songwriter from Walsall in the West Midlands latest single strong, self-healing, soulful, rhythmical dance track, one she describes as “about finding a friend within myself, even through the lows, you have to find the highs”
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Danger Mouse and Karen O
Song of the Day: A stylish new, restlessly lovestruck single by the Yeah Yeah Yeahs singer and the acclaimed producer aka Brian Burton, heralding a special reissue of duo’s 2019 LP, Lux Prima, which will be re-released on 19 September
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Thandii’s forthcoming album, Come As You
Song of the Day: Quirky, clever, eclectic, percussive, alternative and inventively experimental electro-pop from the Margate partner duo and seasoned touring musicians Jessica Berry and Graham Godfrey, also heralding their forthcoming albums Come As You/ Dream With You out in September
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Joan As Police Woman aka Joan Wasser
Song of the Day: A wonderful and welcome return by the NY multi-instrumentalist and singer-songwriter Joan Wasser, with a song that seeks reconciliation of a dissolved romantic relationship, inspired by the styles of Curtis Mayfield and Marvin Gaye, mixes soul, funk, pop and prog, and is second single from her forthcoming album Lemons, Limes & Orchids
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Dafna’s recent album, The Paradox of Choice
Song of the Day: Catchy 80s-inspired synth-pop with echoes of A-ha and Toni Basil by the Boulder-Colorado singer-songwriter Dafna Margalit of Israeli heritage, taken from her excellent latest album The Paradox of Choice, released in May
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Juniore’s next album, Trois, Deux, Un – out on 13 September
Song of the Day: Perfect for a sweltering July summer weekend, sensual French pop with images of seashore, pebbles, naked flesh and the Mediterranean Sea by the sophisticated Parisian indie 60s-style band, heralding their forthcoming album TROIS, DEUX, UN, out on 13 September
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Cornershop - Double Denim
Song of the Day: The British experimental indie rock band of Tjinder Singh, Ben Ayres and co return with a craftily catchy, perky, quirky summer single of patterns and shapes with a new version featuring the breezy vocals of Italian film star Rosanna alongside crisp, retro electronica, staccato guitar riffs and taut bass and percussion
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The falling feeling: Mia Berrin of Pom Pom Squad
Song of the Day: Catchy, breezy, yet also anxious indie rock-pop from the Brooklyn-based band of singer Mia Berrin, in a song about the push-pull between those opposing sides her introvert-extrovert personality and the ambition can sometimes feel self-destructive
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Field Music’s forthcoming album, Limits of Language
Song of the Day: After various side projects, Sunderland’s innovative alt-pop makers, the Brewis brothers David and Peter return with their first new music as Field Music for over three years and a single of synths and an absolutely gorgeous, stirring chorus
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Bad Moves’ forthcoming album Wearing Out The Refrain
Song of the Day: A catchy, upbeat social protest number by the Washington DC indie pop band about curtailed freedom of speech, prejudice and social division from religion, taken from the forthcoming new album Wearing Out The Refrain, out on Don Giovanni Records
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That floating feeling: from the video for Longplayer’s My Dreams Of You
Song of the Day: Sunny, wistful, nostalgic rock in a classic, swooning, smooth 70s style, written, recorded and produced by Mikey Long, the guitarist of US folk-rock band Drugdealer, with his new project.
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Du Blonde’s latest look
Song of the Day: Following 2021’s Homecoming album, the multi-talented Beth Jeans Houghton returns with an angry, catchy rock number about long-time-coming explosion of rage and defiance in the face of gaslighting within an interpersonal relationship
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Alex Izenberg. Photo: Giraffe Studios
Song of the Day: Delicious, swooning, beautifully gentle melodies and subtle elements of country and psychedelia distinguish this pair of singles by the Los Angeles artist, heralding his forthcoming fourth LP, Alex Izenberg & The Exiles, out on 26th July via Weird World / Domino Records
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Clothesline From Hell’s upcoming EP< Soon We’ll All Be Smoking
Song of the Day: A mesmeric new single that builds momentum with syncopated drum beats, reversed vocals, intricate riffs and an alluring voice by the Toronto indie-bedroom-pop artist Adam LaFramboise, taken from his upcoming EP Soon We’ll All Be Smoking
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Clairo’s forthcoming album, Charm
Song of the Day: Smooth, sensual, wistful pop by the singer-songwriter from Atlanta, Georgia, Claire Cottrill, with rippling flutes, piano, mellotron, synths, percussion and organ, taken from her forthcoming album, Charm, out in July on Clairo Records, co-written also and produced by Leon Michels
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Amber Bain
Song of the Day: Sprightly, upbeat, tender country-flavoured pop about the joy and romantic excitement of meeting a female stranger in this smiley-symbol titled new single by the British singer-songwriter Amber Bain, and out on Dirty Hit Records
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Parenthesis Dot Dot Dot )…
Song of the Day: Taken from his brand new EP, The Raptor, magnificently melodious, eclectic, catchy, witty, indie 80s-style electro-pop about being present in the moment by the London-based enigmatic alien alias of former Baxendale frontman Tim Benton, with gloriously infectious chorus qualities of Pet Shop Boys and Pulp
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Imogen and the Knife - Red (Is My Colour)
Song of the Day: A beautiful, sensual, simmering and powerful number by the British singer-songwriter Imogen Williams, about legacy, womanhood and learned behaviour that shapes the degradation of women, asking what it would mean to start again without any influence of heritage or structures
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