Your Custom Text Here
The third album by Hiatus Kaiyote
New album: This wonderful third album by the Melbourne band is a free-flowing beauty - like a butterfly garden of jazz, soul as well as Brazilian influences from time spent with veteran composer Arthur Verocai and Amazonian indigenous Varinawa communities
Read more
Dean Blunt
New album: This follow-up to the 2014 album by the East Londoner frontman of the mischievous alt-pop duo Hype Williams (named after the video director) is a bizarre, offbeat collection of 10 short songs mixing droll, deep-voiced delivery with a range of almost cinematic instrumentation
Read more
Ìxtahuele: Eden Ahbez's Dharmaland
Album review: Serene, strange, magical a wonderful collection performed by the Swedish experimental band of newly discovered sheet music of instrumentals and songs by the composer best known for Nature Boy, written for Nat King Cole
Read more
Loraine James’s third album, Reflection.
Album review: Restlessly imaginative, with arrhythmic oddness, jittery beats, sounds and disembodied voices, spoken word and trap-hop, this experimental electronica album by the London producer by is an candid expression of the mind in 2020 lockdown
Read more
Greentea Peng’s debut LP Man Made
Album review: The debut album by the south Londoner is has woozy, easy, hazy, lazy summer feel, a mix of languid hip hop, reggae, jazz, and soul with a dash of dub, a dribble of drum’n’bass and even psych with a hippie sprinkle
Read more
Japanese Breakfast’s Jubilee
Song of the Day: This third album by the American alt-pop singer-songwriter Michelle Zauner is full of tasty textures and ethereal melodies, inspired by the likes of Bjork, with songs, as she says “about recalling the optimism of youth and applying it to adulthood”
Read more
Beautiful and strange: Long Lost by Lord Huron
Album review: Serene, dreamy, beautifully melodic alt-country-folk by the Michigan-bred, LA-based group, their fourth and perhaps best yet album is awash with road imagery, rich cinematic inserts and classic retro guitar sounds
Read more
Black Midi’s Cavalcade album cover looks as it sounds
Album review: The British quartet’s second album after 2019’s Schlagenheim continues their boundary-pushing direction of frenetic, eclectic mix of the avant garde – jazz, funk, prog in a skilled delirium of wonderful compositions
Read more
Gruff Rhys – Seeking New Gods
Album review: This seventh solo album by the Super Furry Animals frontman set out as conceptual biography of East Asian active mountain volcano Mount Paektu, but this piano-led set of songs with a 70s psych-pop grandeur also has personal elements, and is produced by Beastie Boys producer Mario C
Read more
Dodie’s debut album Build A Problem
Album review: Intimate, delicate, often whispered and candid, the debut album from the 25-year-old Essex singer-songwriter and YouTube star Dodie Clark magically minimal through subtle cinematic arrangements of strings, piano guitar and clarinet
Read more
Sophia Kennedy’s Monsters - impossible to control or define
Album review: An unholy, beguiling and at times mischievously brilliant mixture of pop, Tin Pan Alley, vintage showtunes, hip hop, abstract electronica and horror film culture, the Baltimore-born, Hamburg-bred artist is just as impossible to define as to not enjoy
Read more
Squid’s full debut LP Bright Green Field
Album review: A bold, expansive, experimental and exciting full debut by the postpunk Brighton five-piece, with songs full of musical adventure and dynamic changes, combining krautrock, prog and even a dash of jazz
Read more
Poetic ends: friends Marianne Faithfull with Warren Ellis
Album review: Alongside music by the Australian composer and musician, the iconic singer recites well-known poems from Coleridge, Keats, Wordsmith and more, with addition sounds by friends Nick Cave, Brian Eno and cellist Vincent Ségal
Read more
Matthew E. White and Lonnie Holley
Album review: This first collaborative release between the Virginia songwriter, producer, and founder of Spacebomb Records and the Alabama sculptor is an experimental fusion of jazz, funk, electronica and exclamatory spoken-word observation
Read more
Ben Howard’s fourth LP Collections From The Whiteout
Album review: After 2018’s Noonday Dream, the British singer-songwriter returns with a collaborative LP with guitarist Aaron Dessner of the National adding other talents that help stretches his styles beyond folk into electronica and beyond
Read more
Godspeed You! Black Emperor: G_d’s Pee AT STATE'S END!,
Album review: The Montreal post-rockers return with their seventh and among their best to date, expressing the all the doom and the defiance of recent times, using field recordings, atmospheric orchestration, drone sounds, swingtime crescendos, and rich layers towers of distorted clarion sound
Read more
Ryley Walker’s Course in Fable
Album review: A 10th album of seven highly agile, experimental prog-jazz acoustic guitar-based numbers deftly performed by the Illinois-born, New York-based singer-songwriter and produced by Tortoise's John McEntire
Read more
OH NO …
Album review: This 12th album by the Californian experimental electro-pop, postpunk band led by Jaime Stewart may be the most unusual of year, an oddball set of diverse duets with many guests that sometimes has the melodramatic quality of later Scott Walker
Read more
Sketchy: Tune-Yards
Album review: Rhythmically complex, and restlessly clever, the latest release by California’s Merrill Garbus and Nate Brenner wrestles with a variety of issues from gentrification to gender privilege and climate disaster
Read more
Circularities and patterns in nature: Hannah Peel’s Fir Wave
Album review: The electronic music composer’s mesmeric LP is inspired by the cyclical and fractal patterns of nature with access to and reinterpretations of the original music of the celebrated 1972 KPM 1000 series: Electrosonic, the music of Delia Derbyshire and the BBC Radiophonic Workshop
Read more