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Jack White’s latest solo record – Entering Heaven Alive – his second of 2022
New album: Only three months since his fierce, high-octane LP Fear of The Dawn, the now Nashville-based artist’s second of the year is more of an folk songwriting record, with guitar, piano, some additional strings, with the feel of evening porch rendition, and even harks back to the more acoustic White Stripes numbers
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Gemma Rogers’ debut album No Place Like Home
Debut album: Variously compared to Kirsty MacColl, Ian Dury, Lily Allen and more, the London post-punk indie artist’s debut LP is a packed with own authentic style of witty, talky, mischievous lyrics and catchy melodies from the perky to wistfully emotional.
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Lizzo’s back with her album, Special
New album: Back with a bang (there’s no other way), the wonderfully charismatic American star Melissa Jefferson returns with a mixture of disco, funk, pop, soul and R&B, with bags of attitude, fun, female empowerment, and music to make you dance
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Black Midi’s Hellfire
New album: With heatwaves and wildfires ablaze globally, there could hardly be a more prescient title or dystopian theme by the London prog-rock-jazz experimentalist, whose third LP is strangely among their most accessible among its lightning riffs and stop-start energy of King Crimson or even Buckethead proportions
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Tami Neilson’s fifth album Kingmaker
New album: The acclaimed New Zealand country singer returns with a triumphant fifth album including a duet with Willie Nelson, her strong, beautiful, dramatic delivery echoing the emotive power of Patsy Cline
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Working Men's Club Fear Fear
New album: Excellent second album of dark-themed retro synth and electro pop by the young band from Hebden Bridge fronted by singer-songwriter Syd Minsky-Sargeant with shades of Cabaret Voltaire, OMD and Depeche Mode
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Katy J Pearson’s second album, Sound Of The Morning
New album: The Bristol singer’s second album, packed with strong numbers, sees her developing her range from Americana and country styles to indie and synthpop, moving from the tender to the uptempo, her voice at times echoing the voice of Stevie Nicks
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Joan Shelley: The Spur
New album: Pure of voice, with gently acoustic accompaniment, perfectly weighted melody and perceptive lyric, a gorgeous new ninth album by the Kentucky folk musician, including a number with Bill Callahan
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Wu-Lu’s debut album Loggerhead
Debut album: A strikingly alternative and genre-defying release by the south London producer and multi-instrumentalist Miles Romans-Hopcraft with influences and echoes from grunge to grime, trip hop, electronica to jazz, dark 80s Factory Records era, Tricky to DJ Shadow to Slipknot
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Fyfe and Iskra Strings: Interiority
New album: This collaboration between Paul Dixon and his friend and former violin tutor James Underwood is an absorbingly experimental, clever cross-genre collection from pop, folk, indie, trip hop to dark electronica and a lick of neoclassical
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Laura Veirs comes out of a darkness
New album: Sensitive, quirky, melancholy, intimate, candid, and wonderfully beautiful folk-pop by the Portland singer-songwriter dappled with acoustic instruments and arresting lines is her 12th, but first LP after splitting from her husband and longtime producer
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Spot the shrimp: Cave World by Viagra Boys
New album: The third and perhaps best yet album by the Swedish post-punk mischief makers fronted by the charismatic Sebastian Murphy, with a fusion of rock, punk, electronica and funk and packed with punchy, ironic, humorous lyrics, clever guitar riffs and keyboard sounds
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Moor Mother’s Jazz Codes
New album: A mesmeric new album that began as poetry book by the American artist Camae Ayewa mixing jazz, blues, soul, hip-hop and spoken word in her own form of Black Quantum Futurism group, her multi-artform fusion of black history ontology
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Art D’Ecco returns with a fourth album and a new look
New album: A witty title for a follow-up album by the Canadian artist after 2021’s breakthrough third LP, Standard Definition, with further fabulous fusion of 70s glam, 80s post-punk, and perfect original pop blend of Sparks, 80s Bowie and Ezra Furman
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Fern Maddie: Ghost Story
Debut album: Terrific first LP by the Vermont singer-songwriter, guitarist and banjo player who draws influence from English, Irish and Scottish folk who has a talent for poignant lyrics, beautiful playing and a quiet, but striking voice
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Seven Psalms by Nick Cave and Warren Ellis
New album: Less an LP of songs, more a 25-minute series of low-key ambient synth pieces by Ellis over which Cave’s spoken word prayers of reflective, intense, meditative poetry on death, sin, guilt, grief and more
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Gwenno’s Third album, Tresor
New album: Third LP by the Welsh artist, another almost entirely in the Cornish language, is an alluring mix of pop, ethereal psych-folk and electronica inspired by recent motherhood and the lockdown experience
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Cola: Deep In View
New album: Thrumming, knotty, catchy, clever, crafty, stop-start indie post-punk with an occasional glimmer of glam-rock by the trio of former Ought members Tim Darcy (vocals, guitar) and Ben Stidworthy (bass) alongside Evan Cartwright (drums) with this debut album
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Stealing Sheep: Wow Machine
New album: The Liverpool trio of Emily Lansley, Rebecca Hawley, Luciana Mercer’s wonderfully experimental 10-song album springs from a specially commissioned project with the BBC Radiophonic Workshop, taking inspiration from the female pioneers of electronic music
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Soccer Mommy’s third album: Sometimes, Forever
New album: Richly textured indie, shoegaze and pop by Nashville’s 25-year-old Sophie Allison, here with her third album that contains the dark, world weary, but also tuneful and uplifting material, given extra depth by producer Daniel Lopatin aka Oneohtrix Point Never
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