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As The Love Continues, Mogwai’s 10th album
Album review: The Glasgow band’s 10th album in a 25-year career is full of their usual dynamic contrasts and soaring cinematic, experimental passages, but strip back to older styles on which they build newer sounds
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Virginia Wing’s fourth album Private Life
Album review: Offbeat, eclectic, meandering electronica with oodles of oddball sax and percussion mark this absorbing and original fourth album by the Manchester trio with commentary addressing issues from consumer capitalism to social media and misogyny
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Shopping dilemma: from the video for Free From Gravity
Album review: This fourth LP by the Edinburgh-formed, London-based art-rock quartet contains many of their signature sounds but also contains space-travelling new textures, such as breathy guest vocals by Charlotte Gainsbourg
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Mush’s second album Lines Redacted
Album review: The second album by the Leeds-based band extends their distinctive, sonically idiosyncratic style of excellent angular art-rock with mind-bendingly alternative guitar riffs and scales, sharp lyrics and the oddly likeable nasal delivery of songwriter Dan Hyndman
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Laid back: Puma Blue’s In Praise of Shadows
Album review: After a strong of singles and EPs, 25-year-old British artist Jacob Allen’s debut LP is a lushly horizontal release that mixes slow electronic beats, dreamy, woozy, soulful vocals, and soft electric guitar sounds
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Chips off the old block. Made Kuti (left) and father Femi
Album review: The son and grandson of the great Fela Kuti join to present a double album of the good stuff, bringing high energy Afrobeat and singing in English with wonderfully strong bursts of universal political and personal affirmation
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Album review: Floating somewhere between semi-acoustic prog-rock, jazz, folk, modern classical and spoken word, the seven-piece experimental London band have long been lauded as the next great thing from the Windmill, Brixton
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Stormy power: the cover of The Besnard Lakes new album
Album review: Elemental, stormy, epic in its scope, the new indie-prog LP from Montreal with soaring guitar textures, falsetto, and strong falling bass lines has echoes of Mogwai and Sigur Rós, and is perfect to take on a winter walk or for a profound fireside evening
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Tamara Lindeman of The Weather Station
Album review: This majestic LP of superb musical maturity.by the Canadian singer-songwriter Tamara Lindeman has an undercurrent climate change theme, with deft piano, drums, strings, sax, guitar and a sound sometimes reminiscent of mid-80s Talk Talk
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Ann B Savage: nothing common about this turn
Album review: The London singer-songwriter’s cleverly titled, superb debut is bird-themed, exquisitely beautiful and intimate. It exposes her rich, deep, velvety voice, one that gently warbles snd smoothly soars from a nest of various mostly acoustic strings. Utterly gorgeous
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Album review: Liberating, refreshing, eccentric, with a playfully light touch and flourishes of flute and feminist theory garnish this solo debut by the singer who works with Holly Herndon singer and is half of Italian synth new wave duo Itaca
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Mask
Album review: The south London quartet’s second album has is double-edged woozily beguiling in music and caustic in lyrics, a mixture of shoegaze, postpunk, and electronica with a distinctive sound produced by the groundbreaking Dan Carey
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Arlo Parks – Collapsed in Sunbeams
Album review: Timeless, classy, gorgeous, intimate soul decorates this much anticipated debut album from the astonishingly mature 20-year-old British singer-songwriter and poet who truly fulfils all her promise
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Madlib, aka Otis Jackson Jr
Album review: A majestic journey into sampled and recreated classic sounds with his own original, eccentric twists, Madlib, aka American rapper, producer and multi-instrumentalist Otis Jackson Jr's newest LP is in turn produced by Four Tet
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Kiwi Jr.’s second album Cooler Returns, out on Sub Pop
New album: Clever, wry, satirical, topical, inventive upbeat indie by the Toronto quartet with their second album following Soccer Money, who have echoes of Pavement and The Modern Lovers, but with added vim and vigour, keyboards and harmonica
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Buck Meek
Album review: Perfect for a relaxed Sunday evening listen, this laid back second LP by the guitarist from Big Thief is also wry, melancholic, cathartic, naked candlelight confessions of heartbreak, resiliency, charm and enchantment
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Emeka Ogboh: Beyond the Yellow Haze
Album review: The Nigerian sound and installation artist best known for his soundscapes of life in Lagos releases a fascinating LP that combines those sounds with electronica to capture the hustle-and-bustle of that busy city
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Isles, the second LP, but a long way from the second release by Bicep
Album review: After 2017's eponymous album, the London-based but Belfast born electronic/ dance DJ musical magpie duo of Matthew McBriar and Andrew Ferguson return with 90s rave nostalgia filled with eclectic twists
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A catchy oddball odyssey: SkyWay Man’s new album
Album review: The second full-length project from American rock/cosmic country/psychedelic folk singer, songwriter and producer James Wallace is a catchy, but very easy listen oddball odyssey, a cinematic psych folk opera
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Pearl Charles: perfect reflection of another era
Album review: An uncannily perfect reflection but very enjoyable throwback to mainstream singer-songwriter pop from the mid 1970s in the style of ABBA, Carly Simon, Carol King and more by the 29-year-old from LA
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