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Olivia Rodrigo is Sour about being a teenager and her her ex …
Album review: Brimful with anger, jealousy, and melancholy, an impressive debut LP by the 18-year-old American actress and singer-songwriter is startlingly mature, fuelled by a heartbreak, and mixes punk rage with power-ballad slow-boil spite
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Still growing: Flora Fauna is Billie Marten’s third album
Album review: We’ve previously highlighted her single, Garden of Eden, and the singer-songwriter from Ripon in Yorkshire’s third LP of folk-pop lives up it with its hushed, intimate vocals and an understated maturity that echoes Fiona Apple and Billie Eilish
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Gruff Rhys – Seeking New Gods
Album review: This seventh solo album by the Super Furry Animals frontman set out as conceptual biography of East Asian active mountain volcano Mount Paektu, but this piano-led set of songs with a 70s psych-pop grandeur also has personal elements, and is produced by Beastie Boys producer Mario C
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Paul Weller’s Fat Pop is an album of catchy singles
Album review: Woking’s finest returns with his own lockdown LP after 2020’s acclaimed On Sunset, and this 16th solo LP is a fun bag bursting full of catchy melodies and fabulous toe-tapping pop tunes
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St Vincent: Daddy’s Home now …
Album review: This superb new LP by Annie Clark is inspired by the look, sounds and feel of grimy early 70s New York, creating a work of of sleazy sophistication, the sounds of electric sitar, a Steely Dan, and an edgy joke title referring to the release of her father from prison
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Julia Stone’s Sixty Summers
Album review: Third album leaning towards quirky, intelligent and inventively experimental pop by the artist from Sydney with oodles of brass, drums and funk guitar and electronica – by Annie Clark aka St Vincent and Thomas Bartlett
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Girl In Red
Album review: “Honey, I’m not doing so well". Impressively candid, clever pop debut capturing a variety of emotional, relationship and sexuality traumas through catchy songwriting by Norway’s Marie Ulven who has already become a bedroom-produced YouTube star
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Teenage Fanclub’s Endless Arcade
Album review: This first album for five years by Scotland’s indie veterans as ever is wonderfully consistent, here marrying the musically sunny and uplifting with dark, tragic subject matter to reflect recent times
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The Coral’s new double album
Album review: Themed loosely in setting, characters and narrative around a British seaside resort, this new double album by the Liverpool band glitters with beautifully relaxed, timeless tunes that shimmer with a late-60s psychedelia
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Art D’Ecco’s In Standard Definition
Album review: A stylish and charismatic glam-rock electro-funk-disco pop second album, echoing everything from early 70s Bowie or Bolan’s T-Rex to 80s synth New Romantics, by the wonderful Canadian androgynous singer
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Album review: Refreshing, full-bodied vocal harmonies and almost messianic, upbeat lyrics make this new indie pop album by the West Country quartet a breath of positivity that also echoes the energy of Arcade Fire and The Polyphonic Spree
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Flat White Moon
Album review: The eighth LP from Sunderland brothers Peter and David Brewis brings together a wealth influences and accessibility, cleverly marrying pop, funk and postpunk with echoes of the Beatles, XTC and Todd Rundgren
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Sharon Van Etten is joined by guests’ new cover version on this special 10-year anniversary double album edition
Album review: A decade after the American singer-songwriter’s acclaimed second album, seven wonderfully written songs are reissued alongside versions by contrasting guests including Fiona Apple, IDLES, and Lucinda Williams
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La Femme’s third LP
Album review: The French band’s third album is an attractive, energetic mix of classic vintage sounds from 60s candy floss pop to 80s synth new wave, instrumentals that could TV themes, whispery and sensual hip hop, disco and dash of rave
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Du Blonde’s Homecoming
Album review: Beth Jeans Houghton returns, now under her label, continuing her more recent stripped back formula of great songwriting wrapped in fuzzbox guitar glam rock, this time with guests including Shirley Manson, Ezra Furman, and of Andy Bell of Ride
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OH NO …
Album review: This 12th album by the Californian experimental electro-pop, postpunk band led by Jaime Stewart may be the most unusual of year, an oddball set of diverse duets with many guests that sometimes has the melodramatic quality of later Scott Walker
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Nicely worn: Black Honey’s album
Album review: Refreshing, energetic, upbeat big-chorus fuzzbox indie-pop by the four-piece from Brighton with echoes of big-sound styles ranging from Primal Scream to Girls Aloud to Garbage to Sigue Sigue Sputnik
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Ladies of the canyon … the cover of Lana Del Rey’s eighth album
Album review: Evoking big, wide landscapes with a slow, melancholic, wistful, nostalgic and semi-fictional narratives, the New York singer-songwriter’s eighth album is of uniform style and slow pace, but rich in powerfully strong melodies and memorable lines
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Tiggs Da Author’s album covers almost every style under the sun
Album review: Sprightly, catchy and filled with hooks, the Tanzania-born London singer, producer and musicians full debut has something from many genres, from funk to African, jazz, pop, hip hop, reggae, gospel and soul
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Catherine Anne Davis aka The Anchoress
Album review: This emotional release by Welsh singer-songwriter Catherine Anne Davis, her first since 2016’s Confessions Of A Romance Novelist, brings piano-based songs with echoes of Tori Amos mixed with soaring guitar indie pop intensity
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