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Editrix: The Big E
New album: A fabulous third LP of inventive, restlessly fast, angular, infectious experimental avant-rock by the dynamic Easthampton, Massachusetts trio of guitarist and singer Wendy Eisenberg, bassist Steve Cameron and drummer Josh Daniel
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Lord Huron: The Cosmic Selector Vol. 1
New album: Wistful, vivid country-folk and Americana by the Los Angeles band fronted by Ben Schneider in this strong fifth LP, coloured by images of huge skies and stars, California deserts, love, loss, with catchy tunes, tender anguish, haunting melodies and memories
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Madeline Kenney: Kiss From The Balcony
New album: In this follow-up to 2023’s excellent A New Reality Mind, the Oakland indie artist brings expansive, experimental electronic dynamism and particularly rich texture to her music, working with friends Ben Sloan and Stephen Patota, and exploring themes of broken relationships, solitude, idealised romance, resentment, and womanhood
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Gina Birch’s second solo album, Trouble
New album: The veteran Raincoats co-founder, bass player, songwriter, film-maker and feminist artist’s second solo album is a passionate, political and personal release, outspoken, but also eccentric and eclectically introspective, mixing post-punk, dub, pop and experimental rock
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NODEGA: Rot in Helvetica
New album: A thinly disguised iteration of the New York post-punk band Bodega fronted by songwriters Ben Hozie and Nikki Belfiglio, the same quintet go full punk and hardcore on this articulately angry, pacy, attention-grabbing burst of eight, raucous yet catchy and also clever songs in just 18 minutes, satirically pulling no punches about society’s various ills
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Emily Breeze: Rats In Paradise
New album: Following 2023’s excellent Rapture LP, Bristol’s wild and witty indie-noir-pop-rock star returns with her special brand of acid-tongued, savagely funny, powerful and poignantly catchy numbers, with a title inspired by a song by The Birthday Party, mixing glitz and the gutter
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Wet Leg’s Moisturizer, with guitarist Hester Chambers (left) and singer Rhian Teasdale
New album: The award-winning Isle of Wight indie-pop band’s second album retains all of their mischievous, quirky charm, but also an evolved muscular, punchier, dirtier guitar sound in a collection of clever love songs and kick-ass kiss-offs
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Half Man Half Biscuit: All Asimov And No Fresh Air
Song of the Day: The prolific indie legends of Birkenhead fronted by the rapier wit of singer-songwriter Nigel Blackwell return with their 16th LP in four gloriously ironic decades, following 2022’s The Voltarol Years
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Bruce Springsteen: Tracks II - The Lost Albums
New albums: Not bootlegs, B-sides or omitted songs from past albums (as in the 1998 Tracks outtakes release), this veritable mountain of unreleased gems – a whopping seven LPs spanning 1983–2018 with 82 unreleased songs and over five hours in a treasure trove of discovery for devoted and new fans
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S.G. Goodman: Planting By The Signs
New album: A third album of powerful, simmering, lyrically vivid, stripped-back folk, country and Americana by the singer-songwriter from Hickman, Kentucky, portraying stories and characters from a small town, with themes about the importance of and cycles of the natural world, and summoning a sound somewhere between Lucinda Williams and Cat Power
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Hotline TNT: Raspberry Moon
New album: A third album by the New York indie-rock band fronted by Will Anderson, with rich, meaty, shoegaze fuzz guitars, subtly droll love songs and more of a live band guitar recorded sound rather than the previous studio-created layering of their first two LPs
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Van Morrison: Remembering Now
New album: After a series of cover albums, Belfast’s legendarily brilliant but also difficult, controversial, moody and mercurial singer-songwriter returns with an LP of love-song originals, full of much of the soulful warmth, tenderness, nuance and mellow fluidity many of his past classics
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HAIM’s I Quit
New album: The three LA sisters return with a biting, whip-smart, arresting fourth indie-rock LP based very much on a certain big breakup, laced with ire and caustic lyrics, fired by the former relationship of lead singer Danielle and Ariel Rechtshaid, the producer who worked on all three of the band’s previous albums
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Tropical Fuck Storm: Fairyland Codex
New album: The Melbourne quartet return with a fourth LP of unique, acerbic, eclectic post-punk and dadaistic psychedelia – droll, dark, menacing and humorous, here themed underworld of fateful characters facing the collapse of society
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Endless musicianship: King Gizzard & The Lizard Wizard: Phantom Island
New album: An impressive 27th album already by the unstoppably prolific Australian band, and this is one of their most experimental and theatrical releases yet, less prog- and riff-based, more harking back to the days of dramatic, full-on, 1970s rock operas and musicals with dynamic orchestral pop, funk and jazz
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Matt Berninger - Get Sunk
New album: While fans of The National wait for a potential 11th studio album, their singer-songwriter returns with his second solo release, one that captures similar intimacy, melancholy and also expansiveness with songs about uncertainty and anxiety with a certain poignant catharsis
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The Bug Club: Very Human Features
New album: A tremendously catchy, lively, witty, humorous and poignant new LP by the Welsh trio of Sam Willmett, Tilly Harris and Dan Matthew with a terrific toe-tapping indie-rock-pop take on a whole spectrum of human contradictions
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WITCH: SOGOLO
New album: Zambia’s zamrock pioneers with (with the acronym ‘We Intend To Cause Mischief’) and still fronted by original member Emanuel "Jagari" Chanda, return with their special fusion of infectious psychedelic, 60s garage-inspired funk rock and and afrobeat, with a meaty, melodious, selection of catchy new numbers
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Pulp’s More - their first studio LP in 24 years
New album: The beloved Sheffield Britpop band return triumphantly with their first LP in 24 years, bringing familiar themes – nostalgia, sex, life changes, chance encounters, time passing, also wrapped in metaphors of celestial astronomy, all now from a candid, middle-aged perspective, but still with some crowd-pleasing bangers as well as Jarvis Cocker’s whispery, witty intimacy
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Goddess: the eponymous debut by Fay Milton
New album: Striking in many ways, this excellent eponymous debut LP by the Savages drummer Fay Milton brings together an array of female and non-binary collaborators, not only celebrating a sisterhood, but also one that has musical echoes of Massive Attack, with powerful songs addressing themes in uncertain and dangerous world
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