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The Paranoyds’ second album Talk Talk Talk
New album: Catchy, clever, kooky, sassy and at time space- and sci-fi-themed, a vivaciously engaging second indie pop-garage-rock LP by the Los Angeles quartet who channel The Bangles and Devo with a wry look at the state of the world
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Built To Spill: When The Wind Forgets Your Name
New album: A welcome return from the veteran (since ‘93) Idaho rock band fronted by Doug Martsch, their first since the the 2020 album of Daniel Johnston covers, back with a set of powerful, mature, stirring rich guitar nine songs
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Sudan Archives returns with her expansive, innovative second album
New album: The scintillating second album by Ohio’s LA-based multi-instrumentalist and singer Brittney Parks showcases her innovation across hip hop, R&B, electronica, jazz and beyond with looping ingenuity, improvisation, and sharp feminist, dark lyrics about life as a black woman
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Miraculous Mule: Old Bones, New Fire
New album: Channelling the spirit and sound of the Delta and Appalachian Mountains, a superbly evocative, haunting, powerful new release by the Anglo-Irish Londoners with reworked traditional blues and gospel given a stirring new lease of life
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Sampa The Great’s second album reaches different heights
New album: A swaggeringly stylish, sharp, soulful, funny, proclamatory new release by rapper and singer Sampa Tembo celebrating her return to her native Zambia, with rebuffs to her previous home Australia and its music industry, and nods to Zamrock, lyrics in the Bantu language, and multiple African and other collaborators
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Jockstrap’s debut LP out on Rough Trade
Debut album: Wondrously wild, inventive experimental pop debut LP by the duo of Georgia Ellery and Taylor Skye, whose entrancing fusion of electronica, classical strings, dance music and witty, agile sonic combinations sometimes slip playfully into reverse
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William Orbit’s The Painter (limited edition cover)
New album: The acclaimed British super-producer and composer of the 1990s and 2000s, and now painter, returns with his first LP for nearly a decade after a prolonged period of health issues, with refined, gentle, colourful collection of electronica and ambient textures, with guest vocalists including Beth Orton and Georgia
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Souvenirs by Pale Blue Eyes
New album: A marriage of south Devon and Sheffield in the form of couple Matt and Lucy Broad and bassist Aubrey Simpson forms this more elevating, richly sonic indie release that has echoes of New Order, krautrock and Cabaret Voltaire electro-synth pop
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Fluid songwriting: Bret McKenzie: Songs Without Jokes
New album: A solo release by half of Flight Of The Conchords presents a challenge to escape the comedy schtick, but the New Zealander manages tuneful seriousness, particularly on eco themes, by echoing Randy Newman, Harry Nilsson and Dory Previn with mix of 70s piano pop, showtunes and jazz styles
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Unloved’s third album, The Pink Album
New album: This third LP by trio behind the soundtrack to TV series Killing Eve, Belfast producer David Holmes alongside singer Jade Vincent and musician Keefus Ciancia, is a huge, sprawling cinematic 22-tracker filled with alluringly oddball, woozy, dark pop, electronica, 60s French noir and psychedelia
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Stella Donnelly: Flood
New album: Second album by the Australian brings a refreshingly simple, humorously ironic indie-pop with cutting, personal songs about relationships, provocative but honest lines metaphorical themes of the world
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The Lounge Society: Tired of Liberty
Debut album: Restless sparking, energy, seething anger and ironic lyrics, intricate, swirling, interwoven guitars, bass and drums, and produced by Dan Carey on the ever vibrant Speedy Wunderground label, this full debut LP by young Hebden Bridge band is more than a breath of fresh indie
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New album: This third LP by the Australian artist typifies her intelligently written, nuanced, taut, intensely performed dream pop and alt-country, packed with confessional hidden narratives and subtleties, her expressive, fragile voice with stripped back accompaniment
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Laufey knows all about …
New album: An exquisite debut by the Los Angeles-based Icelandic-Chinese jazz-pop artist, whose pure voice, alongside mostly acoustic guitar or piano backing, brings a timeless collection of gentle, old-school, charming, candid, singer-songwriter love songs reminiscent of Karen Carpenter to Peggy Lee
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The infinitely inventive Kaitlyn Aurelia Smith with Let's Turn It Into Sound
New album: Wondrously inventive, mesmeric, ingenious experimental work by the electronic composer from Orcas Island, Washington State, whose tools include a range of Buchla and other modular synthesizers, woodwind instruments and clever layering of her own vocal samples
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Ezra Furman’s superb All Of Us Flames
New album: The sixth LP by the brilliant, visceral, angelic American is perhaps the finest to date, an impassioned, tour de force, Springsteen-esque cri de coeur for the LGBTQ and Jewish communities, but also stirs hearts of all who feel oppressed or alienated
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The shapeshifting Phoebe Green
Debut album: Vibrant, inventive, mischievous pop first LP by the down-to-earth Manchester singer, whose songs offer a humorous, unpretentious twist on the usual heartbreak and love song material, and a palette of pleasingly original electro-pop beats and synth sounds
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Oneida return with the appropriately titled album, Success
New album: The veteran (25 years) New York indie rock band’s first album since 2018’s Romance is a refreshing bounce back of unpretentious joy, krautrocky rhythms, Ramones strums, and rasping guitar Sonic Youth-type squawls, with and LP that’s a throwback that also feels fresh
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Delicately melancholy: Cass McCombs’ Heartmind
New album: This tenth LP by the American folk, psych and alt-country singer-songwriter brings songs of perfect, effortless poise and weight, with touching, melancholy, moving, philosophical tales of musicians and soldiers, karaoke machines and fast-food restaurants, and is dedicated to departed musicians Chet JR White, Sam Jayne and Neal Casal
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Panic!’s irrepressible Brendon Urie
New album: “If a thing’s worth doing, it’s worth overdoing,” once remarked Queen’s Brian May, and this entertainingly over-the-top seventh LP from Brendon Urie channels that philosophy in a rock-pop extravaganza channelling the genre turned up to 11
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